@article{dbid7069,
        title = {Antebellum town a record of black experience},
        author = {Kathy Lohr},
        journal = {National Public Radio},
        month = {Jan},
        year = 2008,
        day = 21,
        url = {http://www.npr.org/templates/story/story.php?storyId=18233281},
        biburl = {http://www.bibsonomy.org/bibtex/27ffb5f60430c2d1e32b2f03329a1eed5/au7334},
	keywords = {305 art}
}

@book{RefWorks:622,
        title = {Guide to Cataloging Playaway Devices},
        author = {Task Playaway Cataloging Joint},
        note = {21 Apr 2008; ID: 19671},
        year = 2008,
        url = {http://ilocker.bsu.edu/users/kmcgrath/world_shared/Playaways%20Cataloging%20Guidelines.doc},
        abstract = {Guide to Cataloging Playaway Devices Based on AACR2r Chapters 6 and 9 DRAFT, January 2008 Created by the Playaway Cataloging Joint Task Force: Online Audiovisual Catalogers (OLAC) – Cataloging Policy Committee (CAPC) Music Library Association (MLA) – Subcommittee on Descriptive Cataloging (SDC) Task Force Members: Heidi Frank, chair (OLAC/CAPC) Bill Anderson (OLAC/CAPC) Joe Bartl (MLA/SDC) Robert Freeborn (MLA/SDC & OLAC) Jay Weitz (OLAC & MLA) Advisors: Kathy Glennan (MLA/SDC) Nancy Lorimer (MLA) Contents: I.Introduction II.Chief Source of Information III.Choice of Record Type IV.Bibliographic Level V.Fixed Fields (006/007/008) VI.Title and Statement of Responsibility VII.General Material Designation (GMD) VIII.Edition IX.Publication / Distribution X.Physical Description XI.Notes XII.Access Points XIII.Further Reading XIV.Sample Records XV.Images of a Playaway I.Introduction History / Description: Playaway devices were developed in 2005 by Findaway World LLC. (http://store.playawaydigital.com/). A Playaway is described as a “self-playing digital audio book” and is a device that contains a pre-loaded audio file in a proprietary format called ACELP (http://en.wikipedia.org/wiki/Algebraic_Code_Excited_Linear_Prediction). The device requires one AAA battery and a set of earphones for playback and listening. Playaways contain almost exclusively spoken word recordings, but some musical content is available as well. According to the distributor, the focus of Playaways will remain audiobooks. Given the nature of a Playaway device, these materials include aspects of both sound recordings and electronic resources. They should be described according to the rules in AACR2 Chapter 6 (Sound Recordings) and Chapter 9 (Electronic Resources). II.Chief Source of Information AACR2 6.0B1 states that for sound recordings textual data is preferred over sound data, so when cataloging Playaways, select the information affixed to the Playaway player itself, including labels, as the preferred chief source of information. Information not available from the player itself may be taken from the following sources (in this order of preference): accompanying textual material container (e.g., packaging) other sources III.Choice of Record Type The primary nature of the content for Playaway devices is sound, and thus far, both musical and non-musical sound recordings have been produced. Therefore, the Leader/06 (OCLC Type) should be coded as either “i” for non-musical sound recordings, or “j” for musical sound recordings, as appropriate. . IV.Bibliographic Level Playaway devices are monographic in nature; therefore, Leader/07 (BLvl) should be coded as “m” for monograph. V.Fixed Fields (006 / 007 / 008) 006 Field Since only the sound recording aspect of Playaway devices is accounted for in Leader/06 (OCLC Type), add a 006 field to reflect the electronic resource aspects of the material. Code 006/00 (Type) as “m” for computer file, and the 006/09 (File) as “h” for sounds. Code the remaining fields, 006/05 (Audn) and 006/11 (GPub), as appropriate for the resource you are cataloging. Example: 006 m########h######## 007 Fields For Playaway devices, add two 007 fields to describe the physical characteristics of the material as both a sound recording and an electronic resource. It should be noted that available options for MARC 007 coding have not kept up with technological change, so current 007 standards do not provide a wealth of appropriate choices for electronic resources of this nature. The following coding recommendations are subject to change based on further developments and refinements in the MARC21 standard. Sample 007 for electronic resource aspects: 007 c ǂb z ǂd n ǂe z ǂf a 007/00 (OCLC ǂa)c (electronic resource) for category of material 007/01 (OCLC ǂb)z (other) for specific material designation 007/03 (OCLC ǂd)n (not applicable) for color 007/04 (OCLC ǂe)z (other) for dimensions 007/05 (OCLC ǂf)a (sound on medium) Sample 007 for sound recording aspects: 007 s ǂb z ǂd z ǂe u ǂf n ǂg z ǂh n ǂi n ǂj n ǂk z ǂl n ǂm e ǂn d 007/00 (OCLC ǂa)s (sound recording) for category of material 007/01 (OCLC ǂb)z (other) for specific material designation 007/03 (OCLC ǂd)z (other) for speed 007/04 (OCLC ǂe)code as appropriate for configuration of playback channels 007/05 (OCLC ǂf)n (not applicable) for groove width/pitch 007/06 (OCLC ǂg)z (other) for dimensions 007/07 (OCLC ǂh)n (not applicable) for tape width 007/08 (OCLC ǂi)n (not applicable) for tape configuration 007/09 (OCLC ǂj)n (not applicable) for kind of disc/cylinder/tape 007/10 (OCLC ǂk)z (other) for kind of material 007/11 (OCLC ǂl) n (not applicable) for kind of cutting 007/12 (OCLC ǂm)e (digital recording) for special playback characteristics 007/13 (OCLC ǂn)code as appropriate for capture/storage techniques 008 Field Code the 008 field as appropriate for a sound recording, with the following exception: Code 008/23 (Form) as “s” for electronic. Code the date fields depending on whether the Playaway is the first release of the sound recording or whether there were prior releases. Example 1: Playaway recording released in 2007, no prior releases of the sound recording 008/06 (DtSt) = s (single date) 008/07-14 (Dates) = 2007,bbbb Example 2: Playaway recording released in 2007, originally released on cassettes in 2000 and on compact discs in 2005. 008/06 (DtSt) = r (reprint dates) 008/07-14 (Dates) = 2007,2000 *See also information in Section IX: Publication/Distribution, regarding dates in the 260 field. VI.Title and Statement of Responsibility Transcribe the title proper, any parallel titles and other title information, and statements of responsibility from the selected chief source of information, into the 245 field. As with any electronic resource, give the source of title in a 500 note. Include other title information and variations of titles that may appear on other sources of information related to the resource in 246 fields. VII.General Material Designation (GMD) Following the precedent of other materials (e.g., sound and video files) issued digitally, Playaways should be assigned a general material designation (GMD) of “electronic resource.” NOTE: The choice of GMD elicited considerable discussion from the task force. Practice in several hundred early records entered in WorldCat seemed to indicate a strong preference for the use of sound recording in the GMD. However, the task force ultimately felt that the “material” nature as an electronic resource should be reflected in the GMD as opposed to the content aspect, i.e. the sound recording. The reproduction rule of AACR2 1.1C3 and the accompanying example supports carrier over content for the GMD: “If the item is a reproduction in one material of a work originally presented in another material (e.g., a text as microform; a map on a slide), give the general material designation appropriate to the material being described (e.g., in the case of a map on a slide, give the designation appropriate to the slide).” Likewise, precedent from other electronic media, such as sound and video files and electronic books, also supported the selection of electronic resource as the GMD. In addition, the task force felt that the sound recording content of the Playaway was well accounted for in the Type fixed field element. In conclusion, it is hoped that RDA will make the question moot with its clear separation of content and carrier. Example: Title from Playaway label 245 00 Walden ǂh [electronic resource] / ǂc Henry David Thoreau. 500 ## Title from Playaway label. VIII.Edition Transcribe an edition statement if one appears in the chief source or in information provided by the publisher. For Playaways, this is often reflected in a statement regarding the content being an “abridged” or “unabridged” version. Example: 250 ## Unabridged. IX.Publication / Distribution Transcribe the place of publication and/or distribution, and the name(s) of the publisher and/or distributor from the chief source of information or from prescribed sources of information. Include the name(s) of the entities responsible for issuing the recording on the Playaway device (usually, Playaway Digital Audio as the “label name”, and Findaway World LLC as the manufacturer/distributor). The date(s) entered in the 260 field should always include the publication/distribution date of the sound recording held on the Playaway device. As Playaways were first commercially available in the second half of 2005, the publication/distribution date entered in the catalog record for the Playaway (i.e., Date1 in the fixed field and the first date listed in the 260 ǂc) may NOT be dated earlier than 2005. As is the practice for other sound recordings, if the recording has been previously released, such as in a different format, the original publication/distribution date of the sound recording should be noted in the 008 fixed field (Date2) and in a 500 general note. The dates of the print publication may be ignored. Refer to AACR2 1.4F2 and 6.4F2 for further details. Optionally, if a copyright date is given on the Playaway that differs from the publication/distribution date of the Playaway recording, it may also be given in the 260 ǂc as per AACR2 1.4F5. Example 1: Playaway recording released in 2007, no prior releases of the sound recording. 008/06 (DtSt) = s (single date) 008/07-14 (Dates) = 2007,bbbb 260 ## [Solon, Ohio] : ǂb Playaway Digital Audio : ǂb [manufactured and distributed by] Findaway World LLC, ǂc 2007. Example 2: Playaway recording released in 2007, originally released on cassettes in 2000 and on compact discs in 2005. 008/06 (DtSt) = r (reprint dates) 008/07-14 (Dates) = 2007,2000 260 ## [Solon, Ohio] : ǂb Playaway Digital Audio : ǂb [manufactured and distributed by] Findaway World LLC, ǂc 2007. Include the following note: 500 ## Previously released by HarperAudio on cassettes in 2000 and on compact discs in 2005. Example 3: Playaway recording released in 2006, but a “p” date specified on item as p2000. 008/06 (DtSt) = t (publication and copyright dates) 008/07-14 (Dates) = 2006,2000 260 ## [Solon, Ohio] : ǂb Playaway Digital Audio : ǂb [manufactured and distributed by] Findaway World LLC, ǂc 2006, p2000. *See also information in Section V: Fixed Fields, regarding dates in the 008 fixed field. X.Physical Description Always include a 300 field for Playaway devices. The task force has recommended the term “sound media player” for the specific material designation (SMD), which is specific enough to describe the device, yet flexible enough to accommodate similar devices lacking the name “Playaway”. The playing time of the audio recording should be included if it is stated or readily ascertainable, per AACR2 6.5B2. Playaway audio recordings are digitally encoded, therefore, enter the type of recording as “digital” as specified in AACR2 6.5C2. While either inches or centimeters are permissible units of measurement, the task force recommends entering the dimensions of the Playaway device in inches, which is consistent with other sound media devices discussed in AACR2 6.5D. Playaway devices are usually packaged with and require a set of earphones and one AAA battery for playback. Since these materials do not contain intellectual content, the task force recommends that these items be mentioned in a note, and NOT included in the 300 ǂe as “accompanying materials”. Also, local practices may differ for when these items are not included with the device or if the library chooses to separate the materials. Examples: 300 ## 1 sound media player (21 hr., 30 mins.) : ǂb digital ; ǂc 3 3/8 x 2 1/8 in. 500 ## One set of earphones and one AAA battery required for playback. OR 500 ## In container (21 x 13 x 3 cm.) with earphones and AAA battery. XI.Notes Include appropriate notes in prescribed order as specified in AACR2 Chapters 6 and 9. The following list only provides examples of notes the task force has highlighted for Playaway devices. This list is not exhaustive; refer to Chapters 6 and 9 for further information. A.Source of Title Proper note [Required] For Playaways, the title proper is generally taken from the packaging, the container, or accompanying textual materials. As noted in AACR2 9.7B3, enter the source of the title proper in a 500 note, using appropriate terminology. Example: 500 ## Title from Playaway label. B.Statement of Responsibility note [Required, if applicable] As specified in AACR2 6.7B6, give the statement of responsibility information regarding individuals on the sound recording or involved in the technical aspects of its production, just as for other sound recordings. For Playaways, this often consists of the name of the narrator entered in a participant/performer note. Example: 511 0# Read by Robert Sean Leonard. C.Edition and History note [Optional] If it is noted on the packaging or is readily ascertained that the audio recording has been previously released, enter this information in a general 500 note. Example: 500 ## Previously released by HarperAudio on cassettes in 2000 and on CDs in 2005. D.Accompanying Material note [Optional] Include a general note regarding the requirement of earphones and battery. Examples: 500 ## One set of earphones and one AAA battery required for playback. 500 ## In container (21 x 13 x 3 cm.) with earphones and AAA battery. E.General Quoted note [Optional] When a statement appears on the packaging which describes the device, enter this statement in a 500 quoted note. Examples: 500 ## “Issued on Playaway, a dedicated audio media player”—Container. 500 ## “Playaway, the first pre-loaded digital audio book”—Container. If a statement does not explicitly appear on the packaging or item, such a statement describing the characteristics of a Playaway may be entered in the record as a general un-quoted note. XII.Access Points A.Name access Provide access points as with any monographic work in print (or musical work in rare cases) for authors, editors, compilers, etc. as would make sense for an audio version of the work (i.e., no illustrators, etc.). In addition, provide access to the name(s) of narrator(s) noted in the 511 note field. If desired, access points may be generated for the publishers of the original recordings, the Playaway publishers, and the distributors of the Playaway device (Playaway Digital Audio and Findaway World LLC). Example: 100 1# Thoreau, Henry David, ǂd 1817-1862. ǂ4 aut 700 1# Leonard, Robert Sean, ǂd 1969- ǂ4 nrt 710 2# Random House AudioBooks (Firm) 710 2# Playaway Digital Audio. 710 2# Findaway World LLC. NOTE: The ǂ4 field for relator codes is optional. B.Subject access Provide subject access appropriate to the work. Example: 600 10 Thoreau, Henry David, ǂd 1817-1862. 650 #0 Naturalists ǂz United States ǂv Biography. 651 #0 Walden Pond (Middlesex County, Mass.) In addition, provide the following genre heading if the Playaway content is an audiobook. Example: 655 #0 Audiobooks. [LCCN: sh 93004333] NOTE: The topical heading “Audiobooks” has not yet been established as a genre/form heading, however, we anticipate that it will eventually be established as a genre/form heading. XIII.Further Reading ACELP definition at Wikipedia website (http://en.wikipedia.org/wiki/Algebraic_Code_Excited_Linear_Prediction). Findaway World LLC website (http://store.playawaydigital.com/). Joint Steering Committee for Revision of AACR. Anglo-American Cataloguing Rules. 2002. 2nd ed., 2002 rev. with 2005 update. Ottawa: Canadian Library Association; London: Library Association; Chicago: ALA. Available from Cataloger’s Desktop, Issue 3 (2007). Poole, Jeanne. “Cataloging Playaways : An Evolving Standard”, TechKNOW, v.13, issue 1, p. 9-11. (http://www.library.kent.edu/files/TechKNOW_June_2007.pdf) Poole, Jeanne. “Cataloging Playaways : Is it in Your Future?”, TechKNOW, v.12, issue 2, p. 12-14. (http://www.library.kent.edu/files/TechKNOW_July_2006.pdf) XIV.Sample Records RECORD 1 LDR nim Ia 006 m h 008 070313r20062000ohunnn js f eng d 007 c ǂb z ǂd n ǂe z ǂf a 007 s ǂb z ǂd z ǂe u ǂf n ǂg z ǂh n ǂi n ǂj m ǂk z ǂl n ǂm e ǂn u 020 1598957880 020 9781598957884 028 00 1274 ǂb Playaway Digital Audio 100 1 Paterson, Katherine. 245 10 Bridge to Terabithia ǂh [electronic resource] / ǂc Katherine Paterson. 250 Unabridged. 260 [Solon, Ohio] : ǂb Playaway Digital Audio : ǂb [manufactured and distributed by] Findaway World LLC, ǂc 2006. 300 1 sound media player (4 hr.) : ǂb digital ; ǂc 3 3/8 x 2 1/8 in. 500 Title from Playaway label. 500 "Playaway, the first pre-loaded digital audio book"--Container. 511 0 Read by Robert Sean Leonard. 500 One set of earphones and one AAA battery required for playback. 500 Previously released by HarperAudio on cassettes in 2000 and on compact discs in 2005. 520 The life of a ten-year-old boy in rural Virginia expands when he becomes friends with a newcomer who subsequently meets an untimely death trying to reach their hideaway, Terabithia, during a storm. 521 Ages 10 and up. 586 Newbery Medal, 1978. 650 0 Friendship ǂv Juvenile fiction. 650 0 Death ǂv Juvenile fiction. 651 0 Virginia ǂv Juvenile fiction. 650 0 Schools ǂv Juvenile fiction. 650 1 Friendship ǂv Fiction. 650 1 Death ǂv Fiction. 651 1 Virginia ǂv Fiction. 650 1 Schools ǂv Fiction. 655 7 Bildungsromans. ǂ2 gsafd 655 0 Audiobooks. 655 0 Children's audiobooks. 700 1 Leonard, Robert Sean, ǂd 1969- 710 2 HarperAudio. 710 2 Playaway Digital Audio. 710 2 Findaway World LLC. RECORD 2 LDR cim Ia 006 m h 008 070518s2007 ohunnn cs f eng d 007 c ǂb z ǂd n ǂe z ǂf a 007 s ǂb z ǂd z ǂe u ǂf n ǂg z ǂh n ǂi n ǂj m ǂk z ǂl n ǂm e ǂn u 020 1602525382 020 9781602525382 050 4 PZ7.H13824 ǂb Pr 2007 100 1 Hale, Shannon. 245 10 Princess academy ǂh [electronic resource] / ǂc Shannon Hale. 250 Unabridged. 260 Chagrin Falls, Ohio : ǂb Playaway Digital Audio : ǂb [manufactured and distributed by] Findaway World LLC, ǂc [2007]. 300 1 sound media player (ca. 6 hr.) : ǂb digital ; ǂc 3 3/8 x 2 1/8 in. 500 Title from Playaway label. 500 Issued on Playaway, a dedicated audio media player. 511 0 Read by Laura Credidio and The Full Cast Family. 500 In container (21 x 13 x 3 cm.) with earphones and AAA battery. 520 While attending a strict academy for potential princesses with the other girls from her mountain village, fourteen-year-old Miri discovers unexpected talents and connections to her homeland. 650 0 Princesses ǂv Juvenile fiction. 650 0 Self-confidence ǂv Juvenile fiction. 650 0 Telepathy ǂv Juvenile fiction. 650 0 Mountains ǂv Juvenile fiction. 650 0 Schools ǂv Juvenile fiction. 650 1 Princesses ǂv Fiction. 650 1 Self-confidence ǂv Fiction. 650 1 Telepathy ǂv Fiction. 650 1 Mountains ǂv Fiction. 650 1 Schools ǂv Fiction. 655 0 Audiobooks. 655 0 Children's audiobooks. 700 1 Credidio, Laura. 710 2 Full Cast Family. 710 2 Playaway Digital Audio. 710 2 Findaway World LLC. XV.Images of a Playaway},
	biburl = {http://www.bibsonomy.org/bibtex/20de498c115b7817aa35a14722fc634af/au7334},
	keywords = {art 025.3}
}

@book{MaunGrav1954,
        title = {Gravures, Peintures et Inscripions Rupetres de l�Ouest Africain : Initiations Africaines XI},
        address = {Dakar},
        author = {R. Mauny},
        publisher = {I.F.A.N.},
        year = 1954,
        description = {KUG Recherche-Portal},
	biburl = {http://www.bibsonomy.org/bibtex/20203e1c9446c8d57d98aeb9a185f5a4d/|the_dude|},
	keywords = {Cultural Anthropology Art}
}

@book{gtd,
        title = {Getting Things Done. The Art of Stress-Free Productivity},
        author = {David Allen},
        month = {January},
        note = {ISBN-10: 0142000280
ISBN-13: 978-0142000281},
        publisher = {Penguin},
        year = 2003,
        url = {http://www.davidco.com/},
        description = {The methodology is great but needs to be tailored to ones specific needs - I felt like I wasn't one from the audience Allen wrote this book for.},
	biburl = {http://www.bibsonomy.org/bibtex/2faa6b0ddb1484a552f99eef6ad77889f/cschenk},
	keywords = {personal-development book productivity done art rating:4 gtd things getting stress-free read:2007}
}

@incollection{Musgrave:1998:GT,
        title = {Genetic Textures},
        address = {San Diego},
        author = {F. Kenton Musgrave},
        booktitle = {Texture \& Modeling, A Procedural Approach},
        chapter = 15,
        edition = {Second},
        editor = {David S. Ebert and F. Kenton Musgrave and Darwyn Peachey and Ken Perlin and Steven Worley},
        pages = {373--385},
        publisher = {AP professional},
        year = 1998,
        isbn = {0-12-228730-4},
	notes = {Karl Sims, Dr. Mutatis},
	size = {13 pages},
	biburl = {http://www.bibsonomy.org/bibtex/24328f37d8637200ec94f3f9a250b50e2/brazovayeye},
	keywords = {art computer algorithms, genetic programming,}
}

@inproceedings{unemi:1999:KES,
        title = {{SBART} 2.4: breeding 2{D} {CG} images and movies and
                 creating a type of collage},
        address = {Adelaide, Australia},
        author = {Tatsuo Unemi},
        booktitle = {Third International Conference on Knowledge-Based
                 Intelligent Information Engineering Systems, KES 1999},
        month = {31 August-1 September},
        pages = {288--291},
        publisher = {IEEE},
        year = 1999,
        url = {ftp://ftp.t.soka.ac.jp/users/unemi/papers/KES99.pdf},
        notes = {cited by \cite{takagi:2001:ieee},
	size = {4 pages},
	abstract = {Proposes a method to embed a function to create a type
                 of collage into an application of interactive
                 evolutionary computing for artistic computer graphics
                 (CG) design named SBART (Simulated Breeding for ART).
                 It is an application of the simulated breeding method,
                 which is an extended popular version of K. Sims'
                 (Computer Graphics, vol. 25, no. 4, pp. 319-28, 1991)
                 system that enables the user to create an abstract
                 drawing by selecting his/her favourite images displayed
                 on a computer screen. The latest version (v. 2.4)
                 includes a facility to create a type of collage from
                 external image data and files. By combining it with
                 other, previously implemented functions, such as a
                 multi-field user interface, direct editing of
                 genotypes, and so on, the variety of production is
                 greatly extended},
	biburl = {http://www.bibsonomy.org/bibtex/250786c94a5f84a8105089b16ff76f109/brazovayeye},
	keywords = {Interactive Evolutionary Art Breeding, Simulated algorithms, CG Computing, programming, genetic}
}

@inproceedings{hemert:2001:gecco,
        title = {An Engineering Approach to Evolutionary Art},
        address = {San Francisco, California, USA},
        author = {J. I. {van Hemert} and M. L. M. Jansen},
        booktitle = {Proceedings of the Genetic and Evolutionary
                 Computation Conference (GECCO-2001)},
        editor = {Lee Spector and Erik D. Goodman and Annie Wu and W. B. Langdon and Hans-Michael Voigt and Mitsuo Gen and Sandip Sen and Marco Dorigo and Shahram Pezeshk and Max H. Garzon and Edmund Burke},
        month = {7-11 July},
        pages = 177,
        publisher = {Morgan Kaufmann},
        year = 2001,
        url = {http://www.cs.bham.ac.uk/~wbl/biblio/gecco2001/d02.pdf},
        address = {San Francisco, CA 94104, USA},
	isbn = {1-55860-774-9},
	abstract = {We present a general system that evolves art on the
                 Internet. The system runs on a server which enables it
                 to collect information about its usage world wide; its
                 core uses operators and representations from genetic
                 programming. We show two types of art that can be
                 evolved using this general system.},
	biburl = {http://www.bibsonomy.org/bibtex/21cb6f5e5727ba759e4e3dd06cef9430a/brazovayeye},
	keywords = {induced algorithms, fitness programming: abstract, human bank, Poster, art, evolutionary Internet, art subjective, genetic gene function,}
}

@techreport{tr-01-01,
        title = {An Engineering Approach to Evolutionary Art},
        author = {J. I. {van Hemert} and M. L. M. Jansen},
        institution = {Leiden University},
        month = {31 January},
        number = {TR-01-01},
        year = 2001,
        url = {http://www.vanhemert.co.uk/publications/tr01-01.An_Engineering_Approach_to_Evolutionary_Art.ps.gz},
        size = {pages},
	abstract = {We present a general system that evolves art on the
                 Internet. The system runs on a server which enables it
                 to collect information about its usage world wide; its
                 core uses operators and representations from genetic
                 programming. The output consists of images that are
                 decoded from tree structures. We show how this general
                 system can be used to evolve two types of art: A
                 Mondriaan like art and a type known as mandala. Both
                 types are implemented with the mind of an engineer.},
	biburl = {http://www.bibsonomy.org/bibtex/2842c156ff412fae4c0088ae39cc61505/brazovayeye},
	keywords = {programming, genetic algorithms, art evolutionary}
}

@proceedings{ars2007,
        title = {Ars : casopis Ústavu Dejín Umenia Slovenskej Akadémie Vied},
        address = {Bratislava},
        note = {ISSN 0044-9008},
        number = 2,
        publisher = {Slovak Academic Press},
        volume = 40,
        year = 2007,
        biburl = {http://www.bibsonomy.org/bibtex/25f74dd9a79d5ab1e8f9c2b045df168d2/iglesia},
	keywords = {geography art}
}

@article{Dodds.2006,
        title = {Popular geopolitics and audience dispositions: James Bond and the internet movie database (IMDb)},
        author = {K. Dodds},
        journal = {Transactions of the Institute of British Geographers},
        number = 2,
        pages = {116--130},
        volume = 31,
        year = 2006,
        abstract = {This paper is concerned with the further theoretical development of popular geopolitics with explicit reference to audience dispositions and reception more generally. Using the James Bond film series, and in particular Die Another Day (2002) and the Internet Movie Database (IMDb), it is contended that political geographers need to better understand how audiences and film fans in particular interpret the popular geopolitics of film. One of the striking features of fans who comment about their interest in James Bond on the IMDb is the degree to which these films invite detailed and devoted readings of plotlines, character development, links to contemporary geopolitics and what might be called 'Bond trivia'. The paper concludes with a call for further investigation into the way in which film is consumed by fans and non--fans alike, alongside inter alia a more detailed appreciation of the role of on--line discussion fora such as the IMDb. ? 2006 The Author. Journal compilation ? Royal Geographical Society (with The Institute of British Geographers) 2006.},
	biburl = {http://www.bibsonomy.org/bibtex/2950fa3d37a8b8e9d7b17717dbe32a6bb/iglesia},
	keywords = {imdb art bond fandom political_theory audience popular_dispositions james trivia geography geopolitics film}
}

@article{Kosonen.1999,
        title = {Maps, newspapers and nationalism: The Finnish historical experience},
        author = {K. Kosonen},
        journal = {GeoJournal},
        number = 2,
        pages = {91--100},
        volume = 48,
        year = 1999,
        abstract = {Cartography has usually been perceived as an objective and exact science. Maps have been seen as actual presentations of the world or the area they depict. But another angle is also possible: they may be interpreted as social or political statements and tools for policy making. Therefore, it is important to aim at interpreting maps as products of their own time, in their own social and historical context. Iconology and hermeneutic interpretation may prove to be useful tools, especially when historical press maps are concerned. I will explore the ways in which maps were used in the Finnish newspapers, magazines and humorous magazines, with examples from the early 1900's to 1941. In many cases, the map was an essential part of the article or caricature, along with the text and other figures. They were often aimed to affect people's opinions and images, and to support Finland's territorial hopes in the Eastern Karelia. Among the other national symbols, such as the flag, national anthem or coat of arms, the map of Finland can be considered as a symbol of nationhood.},
	biburl = {http://www.bibsonomy.org/bibtex/264de2c8d29a5bd3bf932714f719e7d41/iglesia},
	keywords = {nation maps history art map iconology finland press nationalism press_history newspaper geography}
}

@article{mackenzie2004,
        title = {Place and the art of belonging},
        author = {A. Fiona D. Mackenzie},
        journal = {Cultural Geographies},
        number = 2,
        pages = {115-137},
        volume = 11,
        year = 2004,
        url = {http://cgj.sagepub.com/cgi/content/abstract/11/2/115},
        doi = {10.1191/1474474004eu295oa},
	eprint = {http://cgj.sagepub.com/cgi/reprint/11/2/115.pdf},
	description = {Place and the art of belonging -- Mackenzie 11 (2): 115 -- Cultural Geographies},
	abstract = {This paper explores the connections among place, identity and visual art with reference to the Harris Tapestry, created to mark the beginning of a new Millennium   on the Isle of Harris, Outer Hebrides, Scotland. I focus on the material practices through which the Tapestry was created and the historical and cultural metaphors  evoked through its embroidered motifs with a view to considering what it means to belong on the island. As a site where people's stories of the past and present are translated into the visual field, the Tapestry is a deeply politicized  aesthetics, making visible social relations through which both island and aesthetic spaces are constituted. Centrally, these concern rights to land, the Tapestry   exposing tensions through which metaphors of belonging have been challenged and resisted through time. In this sense, the Tapestry is iconic of a  culture   of resistance' (Said, 1994) whose geography is island-centred rather than globally peripheral.
},
	biburl = {http://www.bibsonomy.org/bibtex/21a549fee439dcdd9108802a8f38ca9be/iglesia},
	keywords = {geography art}
}

@article{2007,
        title = {Gibt es noch eine deutsche Kunst?},
        author = { unknown},
        journal = {Art},
        number = 5,
        pages = {54-58},
        year = 2007,
        url = {http://tinyurl.sfx.mpg.de/4eju},
        issn = {0173-2781},
	biburl = {http://www.bibsonomy.org/bibtex/239254f90ef7067ec4cd2be2b12f828e3/iglesia},
	keywords = {art geography germany}
}

@book{RefWorks:112,
        title = {Englisches Wesen in der Bildenden Kunst},
        author = {Dagobert Frey},
        year = 1942,
        biburl = {http://www.bibsonomy.org/bibtex/2d1457a3a0649f7be851a499ee33de7c0/iglesia},
	keywords = {england geography englishness uk art}
}

@book{RefWorks:46,
        title = {Raumprobleme in der Tafelmalerei der Gotik: Kunstgeographische und wirtschaftsgeschichtliche Untersuchungen über Köln, Nürnberg, Augsburg und Ulm [Problems of space in Gothic panel painting: art geography and economic-historical investigations of Cologne, Nuremberg, Augsburg and Ulm]},
        author = {Wolfgang Schmid},
        year = {?},
        abstract = {Geographic distribution of painting centers.},
	biburl = {http://www.bibsonomy.org/bibtex/22a204a732d99f40240ac2ce56b97a4c1/iglesia},
	keywords = {medieval cologne augsburg history gothic economy painting ulm geography nuremberg art}
}

@book{RefWorks:42,
        title = {Art, geography and resistance},
        author = {Alexander Wilson},
        year = {?},
        abstract = {Includes a discussion of 19th c. Canadian landscape painting and the change in aesthetics in the 20th c. Surveys this new work which comprises painting and drawing, photography, sculpture and installation, and goes under names as various as environmental art, earthworks, and new landscape.},
	biburl = {http://www.bibsonomy.org/bibtex/2ec3674f119820488f3e58c6f78fd0da1/iglesia},
	keywords = {1800-1900 art geography resistance}
}

@article{RefWorks:73,
        title = {Resurgence of the Old Masters + Popularity of 16th-Century and 17th-Century Artists in the 1984 Art Market},
        author = {E. Turquin},
        journal = {Connaissance Des Arts},
        note = {PT: J},
        number = 397,
        pages = {86-89},
        year = 1985,
        isbn = {0293-9274},
	biburl = {http://www.bibsonomy.org/bibtex/2a3702fe4b67d6c6d7656490293c0ef15/iglesia},
	keywords = {1984 popularity 1500-1700 art}
}

@article{RefWorks:95,
        title = {Art, ideology, & economics in Nazi Germany : the Reich chambers of music, theater, and the visual arts},
        author = {Alan E. Steinweis},
        journal = {Chapel Hill: London: University of North Carolina Press},
        note = {ID: L_CSA_BHA; M1: 15 ill.; bibliogr., index; x, 233 , [8] of pl.; Originally presented as the author's thesis: University of North Carolina, Chapel Hill.; ID: Bibliography History Art (CSA)},
        year = 1993,
        isbn = {0807821047},
	biburl = {http://www.bibsonomy.org/bibtex/2cdcb10c5fef1599ddc8b4f1f7cc87ee0/iglesia},
	keywords = {ns 1933-1945 art}
}

@book{RefWorks:45,
        title = {Marcel Duchamp's art and the geography of modern Paris},
        author = {J. Housefield},
        year = {?},
        abstract = {Modern artist Marcel Duchamp's concept of the readymade remains influential though controversial. I propose a new interpretation of the readymades as a coherent series of works that re-create the landscape of Paris in the artist's New York City studio. Using techniques that parallel the conceptual and visual transformations of space performed by cartography and by landscape painting, Duchamp created a personal, monumental, and three-dimensional "map" by replacing Parisian monuments with small-scale objects. The readymades thus expand on the quest of modern artists for innovative ways to represent landscape and, at the same time, offer geographers new ways of seeing landscape. Keywords: Marcel Duchamp, landscape, modern art, monuments, Paris, readymade sculpture, urban geography. [References: 80]},
	biburl = {http://www.bibsonomy.org/bibtex/207e35313f8aff77f5e34eb29e106e752/iglesia},
	keywords = {Monuments Modern London Marcel art duchamp Urban Paris Landscape geography Readymade sculpture}
}

@book{RefWorks:41,
        title = {Ästhetik des Comic},
        address = {Germany},
        author = {Michael Hein and Michael Huners and Torsten Michaelsen and Ole Frahm and Jens Nielsen and Michael Will and Karl Clausberg and Fritz Breithaupt and Giulio C. Cuccolini and Georg Seesslen and Gunter Dammann and Daniele Barbieri and Jens Balzer and Kathrin Hoffmann-Curtius and Pascal Lefevre and Otto Karl Werckmeister and Hans Hollander},
        note = {(ed ) (contrib.) (contrib ) (collab ) Berlin: E. Schmidt; UI: 13 04982 (2003) Book, Whole},
        pages = 223,
        year = 2002,
        isbn = {3503061320},
	abstract = {Contains the essays "Metamorphosen am laufenden Band: ein kurzgefasster Problemumriss der Sprechblase," by Karl Clausberg; "Das Indiz: Lessings und Goethes Laokoon - Texte und die Narrativität der Bilder," by Fritz Breithaupt; "Zwischen Panel und Strip: auf der Suche nach der ausgelassenen Zeit," by Michael Hein; "Ein Bastard auf Papier," by Giulio C. Cuccolini; "Gerahmter Raum: Gezeichnete Zeit," by Georg Seesslen; "Temporale Strukturen des Erzählens im Comic," by Günter Dammann; "Zeit-Zeichen der Malerei," by Hans Holländer; "Zeit und Rhythmus in der Bilderzählung," by Daniele Barbieri; "Der Horizont bei Herriman: Zeit und Zeichen zwischen Zeitzeichen und Zeichenzeit," by Jens Balzer; "Unikat und Plagiat: die Meistererzählung im Comic," by Kathrin Hoffmann-Curtius; "Die Wiederentdeckung der Sinnlichkeit in der Comictheorie," by Pascal Lefèvre; "Auge und Anatomie bei Giménez und Serpieri," by Otto Karl Werckmeister; and "Weird signs: zur parodistischen Ästhetik der Comics," by Ole Frahm.},
	biburl = {http://www.bibsonomy.org/bibtex/2d6f32f852e137fe7753099e09a635b83/iglesia},
	keywords = {Aesthetics comics Cartoons Alain Reception art Narration Benoit Antique humorous Comedy Bulle 1749-1832 1729-1781 Ancient Bande 1881-1944 Iconography Narrative}
}