%0 Journal Article %1 Burns1994 %A Burns, E M %A Campbell, S L %D 1994 %J The Journal of the Acoustical Society of America %K Humans,Music,Pitch Perception,absolute perception,interval,music,perception,pitch pitch,categorical %N 5 Pt 1 %P 2704--19 %T Frequency and frequency-ratio resolution by possessors of absolute and relative pitch: examples of categorical perception %U http://www.ncbi.nlm.nih.gov/pubmed/7983276 %V 96 %X The methodology derived from the trace-context theory of intensity resolution (Durlach and Braida, 1969; Macmillan et al., 1988) was applied to resolution over an octave range along two continua: a sequential-frequency-ratio continuum for possessors of relative pitch (RP), and a pure-tone frequency continuum for possessors of absolute pitch (AP). The performance of both RP and AP possessors was exceptional in that total identification sensitivity along both continua was much greater than identification sensitivity along unidimensional psychophysical continua characterized by the 7 +/- 2 rule. In addition, the performance of RP possessors was exceptional in that, on average, total sensitivity for identification resolution was greater than sensitivity for resolution in discrimination. Finally, identification sensitivity between category prototypes (chromatic semits) along both continua was approximately the same as identification sensitivity between phonemic category prototypes along speech continua, despite the fact that both the discrimination ranges and the total number of categories are much larger for the two pitch continua.

@article{Burns1994, abstract = {The methodology derived from the trace-context theory of intensity resolution (Durlach and Braida, 1969; Macmillan et al., 1988) was applied to resolution over an octave range along two continua: a sequential-frequency-ratio continuum for possessors of relative pitch (RP), and a pure-tone frequency continuum for possessors of absolute pitch (AP). The performance of both RP and AP possessors was exceptional in that total identification sensitivity along both continua was much greater than identification sensitivity along unidimensional psychophysical continua characterized by the 7 +/- 2 rule. In addition, the performance of RP possessors was exceptional in that, on average, total sensitivity for identification resolution was greater than sensitivity for resolution in discrimination. Finally, identification sensitivity between category prototypes (chromatic semits) along both continua was approximately the same as identification sensitivity between phonemic category prototypes along speech continua, despite the fact that both the discrimination ranges and the total number of categories are much larger for the two pitch continua.}, added-at = {2011-03-27T17:20:41.000+0200}, author = {Burns, E M and Campbell, S L}, biburl = {https://www.bibsonomy.org/bibtex/24468026511cec2f44b8f3ff190758a28/yevb0}, file = {:Burns, Campbell_1994_Frequency and frequency-ratio resolution by possessors of absolute and relative pitch examples of categorical perception.pdf:PDF}, interhash = {0d670c2597063d6d3f0ce2d3fe6d3a3c}, intrahash = {4468026511cec2f44b8f3ff190758a28}, issn = {0001-4966}, journal = {The Journal of the Acoustical Society of America}, keywords = {Humans,Music,Pitch Perception,absolute perception,interval,music,perception,pitch pitch,categorical}, mendeley-tags = {absolute pitch,categorical perception,interval,music,perception,pitch}, month = nov, number = {5 Pt 1}, pages = {2704--19}, pmid = {7983276}, timestamp = {2011-03-27T17:20:46.000+0200}, title = {Frequency and frequency-ratio resolution by possessors of absolute and relative pitch: examples of categorical perception}, url = {http://www.ncbi.nlm.nih.gov/pubmed/7983276}, volume = 96, year = 1994 }