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    <title>From made in China to created in China</title>
    <link>http://www.bibsonomy.org/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf</link>
    <dc:creator>acf</dc:creator>
    <dc:date>2008-04-27T06:45:38+02:00</dc:date>
    <dc:subject>audio-visual_media catch-up censorship chinese_media imitation innovation media_culture </dc:subject>
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  <a href="http://www.bibsonomy.org/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf">From made in China to created in China</a>
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  <span style="color:#555555;"> 
    M. <a href="http://www.bibsonomy.org/author/Keane">Keane</a>         	     	 
        	 </span> 
  <em>International Journal of Cultural Studies</em>
      <b>9</b>
      285
  (2006)
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        to
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        <a href="http://www.bibsonomy.org/user/acf/audio-visual_media">audio-visual_media</a>
        <a href="http://www.bibsonomy.org/user/acf/catch-up">catch-up</a>
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        <a href="http://www.bibsonomy.org/user/acf/imitation">imitation</a>
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        on 2008-04-27 06:45:38 </span></div>
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        <swrc:journal>International Journal of Cultural Studies</swrc:journal><swrc:number>3</swrc:number><swrc:pages>285</swrc:pages><swrc:title>{From made in China to created in China}</swrc:title><swrc:volume>9</swrc:volume><swrc:year>2006</swrc:year><swrc:keywords>audio-visual_media catch-up censorship chinese_media imitation innovation media_culture </swrc:keywords><swrc:date>2008-04-27 06:45:38.0</swrc:date><swrc:abstract>This article provides a macro-perspective on China’s repositioning
	in the global and regional cultural economy, and in doing so questions
	the structural impact of past practices on future export aspirations.
	Whereas most accounts of China’s media are predicated on top-down
	control models, the article proposes a media development framework
	appropriate to China’ s aspirations in the first decade of the twenty-first
	century. The framework is most relevant to those creative content
	industries in which sunk costs – that is, one-off costs of creative
	content development – are more than 50 percent of total outlay. Starting
	from a low base – and constrained by a legacy of state censorship
	and widespread intellectual property abuse – China aspires to move
	from ‘made in China’ to ‘created in China’.</swrc:abstract><swrc:hasExtraField>
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