<rdf:RDF xmlns:burst="http://xmlns.com/burst/0.1/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:cc="http://web.resource.org/cc/" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" xmlns:swrc="http://swrc.ontoware.org/ontology#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"><channel rdf:about="http://www.bibsonomy.org/burst/user/acf/catch-up"><title>BibSonomy publications for /user/acf/catch-up</title><link>http://www.bibsonomy.org/burst/user/acf/catch-up</link><description>BibSonomy BuRST Feed for /user/acf/catch-up</description><dc:date>2008-07-21T00:41:08+02:00</dc:date><items><rdf:Seq><rdf:li rdf:resource="http://www.bibsonomy.org/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf"/></rdf:Seq></items></channel><item rdf:about="http://www.bibsonomy.org/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf"><title>From made in China to created in China</title><link>http://www.bibsonomy.org/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf</link><dc:creator>acf</dc:creator><dc:date>2008-04-27T06:45:38+02:00</dc:date><dc:subject>chinese_media audio-visual_media media_culture imitation catch-up innovation censorship </dc:subject><content:encoded>&lt;span style=&#034;color:#555555;&#034;&gt;M. &lt;a href=&#034;http://www.bibsonomy.org/author/Keane&#034;&gt;Keane&lt;/a&gt;  &lt;/span&gt;&lt;em&gt;International Journal of Cultural Studies&lt;/em&gt;&lt;em&gt;9(3):285&lt;/em&gt;(&lt;em&gt;2006&lt;/em&gt;)</content:encoded><taxo:topics><rdf:Bag><rdf:li rdf:resource="http://www.bibsonomy.org/tag/chinese_media"/><rdf:li rdf:resource="http://www.bibsonomy.org/tag/audio-visual_media"/><rdf:li rdf:resource="http://www.bibsonomy.org/tag/media_culture"/><rdf:li rdf:resource="http://www.bibsonomy.org/tag/imitation"/><rdf:li rdf:resource="http://www.bibsonomy.org/tag/catch-up"/><rdf:li rdf:resource="http://www.bibsonomy.org/tag/innovation"/><rdf:li rdf:resource="http://www.bibsonomy.org/tag/censorship"/></rdf:Bag></taxo:topics><burst:publication><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2b16d84f92ec712ede3a788362bc7d36a/acf"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Article"/><swrc:date>Sun Apr 27 06:45:38 CEST 2008</swrc:date><swrc:journal>International Journal of Cultural Studies</swrc:journal><swrc:number>3</swrc:number><swrc:pages>285</swrc:pages><swrc:title>{From made in China to created in China}</swrc:title><swrc:volume>9</swrc:volume><swrc:year>2006</swrc:year><swrc:keywords>chinese_media audio-visual_media media_culture imitation catch-up innovation censorship </swrc:keywords><swrc:abstract>This article provides a macro-perspective on China’s repositioning
	in the global and regional cultural economy, and in doing so questions
	the structural impact of past practices on future export aspirations.
	Whereas most accounts of China’s media are predicated on top-down
	control models, the article proposes a media development framework
	appropriate to China’ s aspirations in the first decade of the twenty-first
	century. The framework is most relevant to those creative content
	industries in which sunk costs – that is, one-off costs of creative
	content development – are more than 50 percent of total outlay. Starting
	from a low base – and constrained by a legacy of state censorship
	and widespread intellectual property abuse – China aspires to move
	from ‘made in China’ to ‘created in China’.</swrc:abstract><swrc:hasExtraField><swrc:Field swrc:value="10.1177/1367877906066875" swrc:key="doi"/></swrc:hasExtraField><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="M. Keane"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description></burst:publication></item></rdf:RDF>