BibSonomyburst/user/bfieldsBibSonomy RSS feed for /user/bfields2012-02-15T12:14:10+01:00http://www.bibsonomy.org/bibtex/241e098cd7c5c78f2d3cd6c72992cd678/bfieldsbfields2010-07-21T13:55:50+02:00playlistResearch recom <span class="authorEditorList"><a href="/author/Wolz">Ursula Wolz</a>, <a href="/author/Massimi">Michael Massimi</a>, and <a href="/author/Tarn">Eric Tarn</a> </span><em>Web Delivering of Music, International Conference on</em> (<em>2004</em>)Wed Jul 21 13:55:50 CEST 2010Los Alamitos, CA, USAWeb Delivering of Music, International Conference on144-150r-MUSIC, A Collaborative Music DJ for Ad Hoc Networks02004playlistResearch recom r-MUSIC, A Collaborative Music DJ for Ad Hoc Networkshttp://www.bibsonomy.org/bibtex/2c36a7bb209fbe0ab1188549bd25bb19f/bfieldsbfields2010-02-15T12:50:21+01:00imported <span class="authorEditorList"><a href="/author/Steuer">R. Steuer</a>, <a href="/author/Kurths">J. Kurths</a>, <a href="/author/Daub">C.O. Daub</a>, <a href="/author/Weise">J. Weise</a>, and <a href="/author/Selbig">J. Selbig</a> </span><em>Bioinformatics</em> (<em>2002</em>)Mon Feb 15 12:50:21 CET 2010BioinformaticsS231-S240The mutual information: Detecting and evaluating dependencies between variables18 Suppl.22002imported British Library Direct: Order Detailshttp://www.bibsonomy.org/bibtex/2aa034fb28efbbb9776a817641b603ae6/bfieldsbfields2010-02-15T12:42:14+01:00imported <span class="authorEditorList"><a href="/author/Tzanetakis">George Tzanetakis</a> </span><em>Information Science Reference, </em>(<em>2007</em>)Mon Feb 15 12:42:14 CET 2010Intelligent Music Information Systems: Tools and MethodologiesMarsyas: a case study in implementing Music Information Retrieval Systems 2007imported Marsyashttp://www.bibsonomy.org/bibtex/2e916ac563c4ce390acef28160805761d/bfieldsbfields2010-01-28T12:48:37+01:00concert_programming music_history playlistResearch <span class="authorEditorList"><a href="/author/W.">Weber W.</a> </span><em>Poetics</em> (<em>July 2001</em>)Thu Jan 28 12:48:37 CET 2010Poetics125-134(10)From miscellany to homogeneity in concert programming29July 2001concert_programming music_history playlistResearch One of the biggest problems in the study of classical music is the prejudice with which those brought up in the tradition view the mores of musical culture prior to around 1800. We have expectations about what we term 'serious' music that easily turns us against the manner by which music was presented and appreciated two hundred or more years ago. If we are to understand better what musical culture was all about back then, we have to begin questioning our own presuppositions and looking with a fresh eye at what people did in the pre-modern epoch. I would like to suggest some ways by which we might try that here today in regard to concert programs. In the process I will offer a pair of concepts by which to conceive of the main principles by which programs were formed then and now: Miscellany versus Homogeneity. The change from the one to the other around 1850 constituted a massive, fundamental change in the whole nature of musical experience.IngentaConnect From miscellany to homogeneity in concert programminghttp://www.bibsonomy.org/bibtex/2f052efe0deb58ca83910367872eb2f42/bfieldsbfields2010-01-28T12:25:26+01:00music role_analysis <span class="authorEditorList"><a href="/author/Mueller">John H. Mueller</a> </span><em>Journal of Research in Music Education</em> <em>15(2):151-158</em> (<em>1967</em>)Thu Jan 28 12:25:26 CET 2010Journal of Research in Music Education2151-158The Aesthetic Gap Between Consumer and Composer151967music role_analysis The Aesthetic Gap Between Consumer and Composer -- Mueller 15 (2): 151 -- Journal of Research in Music Educationhttp://www.bibsonomy.org/bibtex/2abb95f85fd3531e150e33e2d32744f7a/bfieldsbfields2010-01-28T12:17:11+01:00music_classification music_similarity <span class="authorEditorList"><a href="/author/Fields">Ben Fields</a> </span><em>University of Miami, </em><em>Coral Gables, FL, </em>(<em>May 2006</em>)Thu Jan 28 12:17:11 CET 2010Coral Gables, FLMayOn the Viability of Using Mixed Feature Extraction with Multiple Statistical Models to Achieve Song Categorization by Genre2006music_classification music_similarity initial importshttp://www.bibsonomy.org/bibtex/253fd44637f70aa0bef28a841c9442aa1/bfieldsbfields2010-01-28T12:10:26+01:00music playlistResearch radio <span class="authorEditorList"><a href="/author/Hennion">Antoine Hennion</a>, and <a href="/author/Meadel">Cecile Meadel</a> </span><em>Media Culture Society</em> <em>8(3):281-303</em> (<em>1986</em>)Thu Jan 28 12:10:26 CET 2010Media Culture Society3281-303Programming music: radio as mediator81986music playlistResearch radio Programming music: radio as mediator -- Hennion and Meadel 8 (3): 281 -- Media, Culture & Societyhttp://www.bibsonomy.org/bibtex/294bd871995c4b7966519817185cbf9bc/bfieldsbfields2010-01-28T12:00:26+01:00commercial manual_playlisting music playlistResearch radio <span class="authorEditorList"><a href="/author/Ahlkvist">Jarl A. Ahlkvist</a>, and <a href="/author/Faulkner">Robert Faulkner</a> </span><em>Qualitative Sociology</em> <em>25(2):189--215</em> (<em>June 2002</em>)Thu Jan 28 12:00:26 CET 2010Qualitative Sociology#jun#2189--215“Will This Record Work for Us?”: Managing Music Formats in Commercial Radio252002commercial manual_playlisting music playlistResearch radio How do radio stations decide what music to play on the air? Previous studies offer a single answer to this question. In contrast, this study examines the variety of ways that radio programmers answer this question by conceptualizing them as mediators between record companies and radio audiences. From interviews with programmers at commercial radio stations in the United States we identify key programming practices that programmers use to manage their stations' music formats and present a typology of repertoires of such practices. We then discuss the implications of each programming repertoire for stations' music formats and the structural conditions that promote the use of each programming repertoire. In conclusion, we consider the study's implications for understanding culture production in the commercial radio industry. ER -http://www.bibsonomy.org/bibtex/251e3e09c63c3f75c5282a391e54e7af3/bfieldsbfields2010-01-28T11:54:50+01:00imported <span class="authorEditorList"><a href="/author/Berland">Jody Berland</a> </span><em>Popular Music</em> <em>9(2):179--192</em> (<em>1990</em>)Thu Jan 28 11:54:50 CET 2010Popular Music2179--192Radio Space and Industrial Time: Music Formats, Local Narratives and Technological Mediation91990imported JSTOR: Popular Music, Vol. 9, No. 2 (Apr., 1990), pp. 179-192http://www.bibsonomy.org/bibtex/29043e7d3110fdce2b89c2a3a07152075/bfieldsbfields2010-01-28T11:42:45+01:00MPEG-7 music_classification <span class="authorEditorList"><a href="/author/Berdahl">E. Berdahl</a>, <a href="/author/Kim">H. Kim</a>, and <a href="/author/Sikora">T. Sikora</a> </span><em>Communication Systems Group, Technical University of Berlin, Germany, </em>(<em>2004</em>)Thu Jan 28 11:42:45 CET 2010Study of MPEG-7 Sound Classification and Retrieval2004MPEG-7 music_classification initial importshttp://www.bibsonomy.org/bibtex/2076f847a01fdb309995b65cec8e2b3a9/bfieldsbfields2010-01-28T11:42:45+01:00MPEG-7 <span class="authorEditorList"><a href="/author/Casey">M. Casey</a>, and <a href="/author/et al."> et al.</a> </span><em>http://mpeg7.doc.gold.ac.uk/mirror/index.html, </em>(<em>april 2001, 2003</em>)Thu Jan 28 11:42:45 CET 2010http://mpeg7.doc.gold.ac.uk/mirror/index.htmlaprilAll-XM.zip, Audio Reference Software(ISO/IEC 15938-4:2001)2001, 2003MPEG-7 initial importshttp://www.bibsonomy.org/bibtex/22dd840582fe252c9773874005b4ea47c/bfieldsbfields2010-01-28T11:42:45+01:00genre_theory <span class="authorEditorList"><a href="/author/Beghtol">C. Beghtol</a> </span><em>Bulletin of the American Society for Information Science and Technology</em> (<em>December 2001</em>)Thu Jan 28 11:42:45 CET 2010Bulletin of the American Society for Information Science and TechnologyDec./Jan.2The Concept of Genre and Its Characteristics272001genre_theory initial importshttp://www.bibsonomy.org/bibtex/22d2229f00caa00407f4f4cfd09f4e118/bfieldsbfields2010-01-28T11:42:45+01:00music_classification music_similarity <span class="authorEditorList"><a href="/author/B.Fields"> B.Fields</a> </span><em>University of Miami, </em><em>Coral Gables, FL, </em>(<em>May 2006</em>)Thu Jan 28 11:42:45 CET 2010Coral Gables, FLMayOn the Viability of Using Mixed Feature Extraction with Multiple Statistical Models to Achieve Song Categorization by Genre2006music_classification music_similarity initial importshttp://www.bibsonomy.org/bibtex/20a77a4d193bc2117f0a400036e9ab9ad/bfieldsbfields2010-01-28T11:42:45+01:00onset_detection <span class="authorEditorList"><a href="/author/Bello">JP Bello</a>, <a href="/author/Daudet">L Daudet</a>, <a href="/author/Abdullah">S Abdullah</a>, <a href="/author/Duxbury">C Duxbury</a>, <a href="/author/Davies">M Davies</a>, and <a href="/author/Sandler">M Sandler</a> </span><em>IEEE Transactions on Speech and Audio Processing</em> (<em>September 2005</em>)Thu Jan 28 11:42:45 CET 2010IEEE Transactions on Speech and Audio ProcessingSeptember5A Tutorial on Onset Detection in Music Signals132005onset_detection initial importshttp://www.bibsonomy.org/bibtex/204115c6fb8e96dca9b4007f988e918e5/bfieldsbfields2010-01-28T11:42:45+01:00music_similarity timbre_similarity <span class="authorEditorList"><a href="/author/Aucouturier">J. Aucouturier</a>, and <a href="/author/Pachet">F. Pachet</a> </span><em>Int. Symposium on Music Information Retrieval, </em>(<em>2004</em>)Thu Jan 28 11:42:45 CET 2010Int. Symposium on Music Information RetrievalTools and Architecture for the Evaluation of Similarity Measures : Case Study of Timbre Similarity2004music_similarity timbre_similarity initial importshttp://www.bibsonomy.org/bibtex/2ade36411dc6b840d8cb229e55629f675/bfieldsbfields2010-01-28T11:42:45+01:00music_similarity <span class="authorEditorList"><a href="/author/Aucouturier">J. Aucouturier</a>, and <a href="/author/Pachet">F. Pachet</a> </span><em>J. Negative Results in Speech and Audio Sciences</em> (<em>2004</em>)Thu Jan 28 11:42:45 CET 2010J. Negative Results in Speech and Audio SciencesImproving Timbre Similarity : How high's the sky ?2004music_similarity initial importshttp://www.bibsonomy.org/bibtex/209c4acaabda3b82fbe9f1a6216680a38/bfieldsbfields2010-01-28T11:42:45+01:00onset_detection <span class="authorEditorList"><a href="/author/Bello">JP Bello</a>, <a href="/author/Daudet">L. Daudet</a>, <a href="/author/Abdallah">S. Abdallah</a>, <a href="/author/Duxbury">C. Duxbury</a>, <a href="/author/Davies">M. Davies</a>, and <a href="/author/Sandler">M. Sandler</a> </span><em>IEEE Transactions on Speech and Audio Processing</em> <em>13(5):1035 - 1047</em> (<em>September 2005</em>)Thu Jan 28 11:42:45 CET 2010IEEE Transactions on Speech and Audio ProcessingSeptember51035 - 1047A Tutorial on Onset Detection in Music Signals132005onset_detection initial importshttp://www.bibsonomy.org/bibtex/25a1d24a1303b0d8cc7278331e0a4413e/bfieldsbfields2010-01-28T11:42:45+01:00Evaluation_systems MIREX acoustic_measures ground-truth music_similarity <span class="authorEditorList"><a href="/author/Berenzweig">Adam Berenzweig</a>, <a href="/author/Logan">Beth Logan</a>, <a href="/author/Ellis">Daniel Ellis</a>, and <a href="/author/Whitman">Brian Whitman</a> </span><em>Proc. of Int. Symposium on Music Information Retrieval, </em>(<em>2003</em>)Thu Jan 28 11:42:45 CET 2010Proc. of Int. Symposium on Music Information RetrievalA Large-Scale Evaluation of Acoustic and Subjective Music Similarity Measures2003Evaluation_systems MIREX acoustic_measures ground-truth music_similarity initial importshttp://www.bibsonomy.org/bibtex/2dc451e0bd7d86586764eb7c0610b38f2/bfieldsbfields2010-01-28T11:42:45+01:00configuration-space distance_metrics local_planners motion_planning optimisation probabilistic_roadmap <span class="authorEditorList"><a href="/author/Amato">Nancy M. Amato</a>, <a href="/author/Bayazit">0.B. Bayazit</a>, <a href="/author/Dale">Lucia K. Dale</a>, <a href="/author/Jones">Christopher Jones</a>, and <a href="/author/Vallejo">Daniel Vallejo</a> </span><em>Proceedings of the 1998 IEEE International Conference on Robotics &amp; Automation, </em><em>Leuven, Belgium, </em>(<em>May 1998</em>)Thu Jan 28 11:42:45 CET 2010Leuven, BelgiumProceedings of the 1998 IEEE International Conference on Robotics & AutomationMayChoosing Good Distance Metria and Local Planners for Probabilistic Roadmap Methods1998configuration-space distance_metrics local_planners motion_planning optimisation probabilistic_roadmap initial importshttp://www.bibsonomy.org/bibtex/290f4b7eab8a7a308c6e077a993cd19d8/bfieldsbfields2010-01-28T11:42:45+01:00imported <span class="authorEditorList"><a href="/author/Basu">Chumki Basu</a>, <a href="/author/Hirsh">Haym Hirsh</a>, and <a href="/author/Cohen">William Cohen</a> </span><em>AAAI &#039;98/IAAI &#039;98: Proceedings of the fifteenth national/tenth conference on Artificial intelligence/Innovative applications of artificial intelligence, </em><em>page 714-720. </em><em>Menlo Park, CA, USA, </em><em>American Association for Artificial Intelligence, </em>(<em>1998</em>)Thu Jan 28 11:42:45 CET 2010Menlo Park, CA, USAAAAI '98/IAAI '98: Proceedings of the fifteenth national/tenth conference on Artificial intelligence/Innovative applications of artificial intelligence714-720Recommendation as classification: using social and content-based information in recommendation1998imported initial imports