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Perception-based interactive sound synthesis of morphing solids' interactions., , , , and . SIGGRAPH Asia Technical Briefs, page 17:1-17:4. ACM, (2015)Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials., , , , and . CMMR, volume 11265 of Lecture Notes in Computer Science, page 402-412. Springer, (2017)Controlling the Perceived Material in an Impact Sound Synthesizer., , , and . IEEE Trans. Speech Audio Process., 19 (2): 301-314 (2011)Intuitive Control of Scraping and Rubbing Through Audio-tactile Synthesis., , , , and . CoRR, (2024)A unified time-frequency method for synthesizing noisy sounds with short transients and narrow spectral components., , , and . ICASSP, page 29-32. IEEE, (2010)Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity., , , , , , , and . CMMR, volume 9617 of Lecture Notes in Computer Science, page 22-41. (2015)A Synthesis Model With Intuitive Control Capabilities for Rolling Sounds., , , , and . IEEE ACM Trans. Audio Speech Lang. Process., 22 (8): 1260-1273 (2014)Sound Categorization and Conceptual Priming for Nonlinguistic and Linguistic Sounds., , , , and . J. Cognitive Neuroscience, 22 (11): 2555-2569 (2010)MovEcho: A Gesture-Sound Interface Allowing Blind Manipulations in a Driving Context., , , , , and . ACM Trans. Appl. Percept., 18 (3): 15:1-15:19 (2021)Synthesis and perceptual manipulation of percussive sounds., , , and . ICMC, Michigan Publishing, (2005)