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An Invisible Line: Remote Communication Using Expressive Behavior.

, , , , , , , and . INTETAIN, volume 78 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 229-230. Springer, (2011)

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Guest Editors' Introduction: Multisensory Communication and Experience through Multimedia., and . IEEE Multim., 11 (3): 17-19 (2004)Toward a Minimal Representation of Affective Gestures., , , , , and . IEEE Trans. Affect. Comput., 2 (2): 106-118 (2011)Adaptive Body Gesture Representation for Automatic Emotion Recognition., , , and . ACM Trans. Interact. Intell. Syst., 6 (1): 6:1-6:31 (2016)On the detection of the level of attention in an orchestra through head movements., , , and . Int. J. Arts Technol., 7 (4): 316-338 (2014)Social retrieval of music content in multi-user performance., , , and . EAI Endorsed Trans. Creative Technol., 2 (3): e1 (2015)Movement and gesture in intelligent interactive music systems, and . Trends in Gestural Control of Music, IRCAM Publ, (2000)Temporal logic issues in music knowledge representation.. Microprocessing and Microprogramming, 27 (1-5): 541-546 (1989)Non-verbal Full Body Emotional and Social Interaction: A Case Study on Multimedia Systems for Active Music Listening.. INTETAIN, volume 9 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 9-18. Springer, (2009)Integrating Spatio-Temporal Knowledge: A Hybrid Approach., , , and . ECAI, page 644-649. Pitmann Publishing, London, (1988)A system to support non-IT researchers in the automated analysis of human movement., , , and . AVI, page 52:1-52:3. ACM, (2018)