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Giantsteps - progress towards developing intelligent and collaborative interfaces for music production and performance.

, , , , , , and . ICME Workshops, page 1-4. IEEE Computer Society, (2015)

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On stage: the reactable and other musical tangibles go real.. Int. J. Arts Technol., 1 (3/4): 268-287 (2008)Improvising with Computers: A personal Survey (1989-2001). Journal of New Music Research, 31 (1): 1--10 (2002)An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis., , and . ISMIR, page 67-72. (2016)Chasing real-time interaction in new media: towards a new theoretical approach and definition., , and . Digit. Creativity, 28 (3): 196-205 (2017)Towards Concurrent Multi-Tasking in Shareable Interfaces., and . Comput. Support. Cooperative Work., 24 (2-3): 79-108 (2015)A Multi-Profile Method for Key Estimation in EDM., , and . Semantic Audio, Audio Engineering Society, (2017)Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception., , and . CMMR, volume 9617 of Lecture Notes in Computer Science, page 449-463. (2015)The Dynamic Creativity of Proto-artifacts in Generative Computational Co-Creation 98-107., , and . IUI Workshops, volume 3359 of CEUR Workshop Proceedings, page 98-107. CEUR-WS.org, (2023)GestureAgents: an agent-based framework for concurrent multi-task multi-user interaction., , and . TEI, page 207-214. ACM, (2013)Sonigraphical Instruments: From FMOL to the reacTable*.. NIME, page 70-76. Faculty of Music, McGill University, (2003)