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User-Centric Context-Aware Mobile Applications for Embodied Music Listening.

, , , , , , , , , and . UCMedia, volume 40 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 21-30. Springer, (2009)

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Calibration Method to Measure Accurate Bow Force for Real Violin Performances., , , , and . ICMC, Michigan Publishing, (2009)Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data., , , , , , , and . ICMC, Michigan Publishing, (2007)Intra-note Features Prediction Model for Jazz Saxophone Performance., , and . ICMC, Michigan Publishing, (2005)Statistical Modeling of Bowing Control Applied to Violin Sound Synthesis., , , , and . IEEE Trans. Speech Audio Process., 18 (4): 855-871 (2010)Modelling Expressive Performance: a Regression Tree Approach Based on Strongly Typed Genetic Programming, , , , and . Applications of Evolutionary Computing, EvoWorkshops2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoInteraction, EvoMUSART, EvoSTOC, volume 3907 of LNCS, page 676--687. Budapest, Springer Verlag, (10-12 April 2006)Understanding Expressive Transformations in Saxophone Jazz Performances Using Inductive Machine Learning, , , and . Proceedings Sound and Music Computing International Conference, (2004)GMM-PCA based speaker-timbre conversion on full-quality speech., and . SSW, page 56-61. ISCA, (2010)Gesture Sampling For Instrumental Sound Synthesis: Violin Bowing As A Case Study., , and . ICMC, Michigan Publishing, (2010)Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone., , , and . ICMC, Michigan Publishing, (2006)Digital modeling of string instrument bridge reflectance and body radiativity for sound synthesis by digital waveguides., , and . WASPAA, page 1-5. IEEE, (2015)