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Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria.

, , , , , , , , and . INTETAIN, volume 78 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 231-235. Springer, (2011)

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The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts., , , and . ACM Trans. Appl. Percept., 11 (4): 22:1-22:20 (2014)Modeling and control of expressiveness in music performance., , , , and . Proc. IEEE, 92 (4): 686-701 (2004)An Objective and Subjective Comparison of Audio Restoration Systems., , , and . ICHIM (2), page 273-281. Archives & Museum Informatics, Pittsburgh, PA, USA, (2001)Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane., , and . IEEE Trans. Affect. Comput., 5 (4): 364-376 (2014)Audio-Video Analysis of Musical Expressive Intentions., , , and . ICIAP (2), volume 6979 of Lecture Notes in Computer Science, page 219-228. Springer, (2011)A Step Toward AI Tools for Quality Control and Musicological Analysis of Digitized Analogue Recordings: Recognition of Audio Tape Equalizations., , and . AI*CH@AI*IA, volume 2034 of CEUR Workshop Proceedings, page 17-24. CEUR-WS.org, (2017)How blue is Mozart? Non verbal sensory scales for describing music qualities., , , , , and . ICMC, Michigan Publishing, (2014)Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?, , , and . ICMC, Michigan Publishing, (2014)A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis., , and . ICMC, Michigan Publishing, (1999)Expressive Processing of Audio and MIDI Performances in Real Time., , , , and . ICMC, Michigan Publishing, (1999)