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Capturing the Visitor Profile for a Personalized Mobile Museum Experience: an Indirect Approach.

, , , , , , and . UMAP (Extended Proceedings), volume 1618 of CEUR Workshop Proceedings, CEUR-WS.org, (2016)

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Reverse engineering electronic services from e-forms to knowledge., , and . ICSOFT (1), page 273-278. INSTICC Press, (2006)Choreomorphy: a whole-body interaction experience for dance improvisation and visual experimentation., , , and . AVI, page 27:1-27:9. ACM, (2018)Narralive - Creating and experiencing mobile digital storytelling in cultural heritage., , , , , and . Digit. Appl. Archaeol. Cult. Heritage, (2019)Historical research in archives: user methodology and supporting tools., , , , and . Int. J. Digit. Libr., 11 (1): 25-36 (2010)"Real Change Comes from Within!": Towards a Symbiosis of Human and Digital Guides in the Museum., , , , , and . ACM Journal on Computing and Cultural Heritage, 15 (1): 15:1-15:19 (2022)Crafting a Museum Guide Using ChatGPT4., , , , and . Big Data Cogn. Comput., 7 (3): 148 (2023)Ontologies and the brain: Using spreading activation through ontologies to support personal interaction., , and . Cogn. Syst. Res., 11 (1): 25-41 (2010)Ευφυές περιβάλλον διαχείρισης εγγράφων Ιστορικού Αρχείου. National and Kapodistrian University of Athens, Greece, (2009)National Archive of PhD Theses: oai:10442/18275.The CHESS Project: Adaptive Personalized Storytelling Experiences in Museums., , , , , and . UMAP Workshops, volume 1181 of CEUR Workshop Proceedings, CEUR-WS.org, (2014)Using Spreading Activation through Ontologies to Support Personal Information Management., , and . CSKGOI, volume 323 of CEUR Workshop Proceedings, CEUR-WS.org, (2008)