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Critical Editing of Music in the Digital Medium: an Experiment in MEI.. DH, page 380-382. Office for Humanities Communication and Centre for Computing in the Humanities, (2010)Off-line sStrategies for On-line Publications: Preparing the Shelley-Godwin Archive for Off-line Use.. DH, page 683. Red de Humanidades Digitales A. C., (2018)"Fortitude Flanked with Melody: " Experiments in Music Composition and Performance with Digital Scores., and . DH, page 315-316. Red de Humanidades Digitales A. C., (2018)Einführung in TEI-ODD., , and . DHd, (2020)Adapting EATS for Crowdsourcing: Register Medicorum Medii Aevi.. DH, page 381-383. Stanford University Library, (2011)Integrating Digital Papyrology., , , , and . DH, page 28-36. Stanford University Library, (2011)Open, Equitable, and Minimal: Teaching Digital Scholarly Editing North and South., , , and . Digit. Humanit. Q., (2022)Music notation addressability.. DH, page 398-400. Alliance of Digital Humanities Organizations (ADHO), (2016)The Music Addressability API: A draft specification for addressing portions of music notation on the web.. DLfm, page 57-60. ACM, (2016)Hierarchies Made to Be Broken: The Case of the Frankenstein Bicentennial Variorum Edition., and . DH, page 159-161. Red de Humanidades Digitales A. C., (2018)