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All maximal-pairs in step-leap representation of melodic sequence., , , , and . Inf. Sci., 177 (9): 1954-1962 (2007)VISA: The Voice Integration/Segregation Algorithm., , , and . ISMIR, page 445-448. Austrian Computer Society, (2007)An Argument-based Creative Assistant for Harmonic Blending., , , , and . ICCC, page 330-337. Sony CSL Paris, France, (2016)Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories., , , and . ISMIR, page 427-433. (2015)Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation., , and . ISMIR, page 141-147. (2015)Computational Invention of Cadences and Chord Progressions by Conceptual Chord-Blending., , , , , , , and . IJCAI, page 2445-2451. AAAI Press, (2015)A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation., , and . MCM, volume 9110 of Lecture Notes in Computer Science, page 128-134. Springer, (2015)The Shape of Music - The Music of Shape.. SHAPES, volume 1616 of CEUR Workshop Proceedings, page 19-21. CEUR-WS.org, (2015)Probabilistic Modular Bass Voice Leading in Melodic Harmonisation., , and . ISMIR, page 323-329. (2015)Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects., , and . Comput. Humanit., 35 (1): 9-21 (2001)