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Emotion in the singing voice - a deeperlook at acoustic features in the light ofautomatic classification.

, , , , and . EURASIP J. Audio Speech Music. Process., (2015)

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How can music be expressive?. Speech Commun., 13 (1-2): 239-253 (1993)Expression Control in Singing Voice Synthesis: Features, approaches, evaluation, and challenges., , , , and . IEEE Signal Process. Mag., 32 (6): 55-73 (2015)Jan Gauffin 1932-2008., and . Phonetica, 66 (4): 243-248 (2009)Comparing the acoustic expression of emotion in the speaking and the singing voice., , , and . Comput. Speech Lang., 29 (1): 218-235 (2015)Auditory and kinesthetic feedback in singing - significance and effects of training on pitch control., , , and . MAVEBA, page 183-186. Firenze University Press / ISCA, (2003)Emotion in the singing voice - a deeperlook at acoustic features in the light ofautomatic classification., , , , and . EURASIP J. Audio Speech Music. Process., (2015)The Geneva Minimalistic Acoustic Parameter Set (GeMAPS) for Voice Research and Affective Computing., , , , , , , , , and 1 other author(s). IEEE Trans. Affect. Comput., 7 (2): 190-202 (2016)Formant-based synthesis of singing., and . INTERSPEECH, page 4013-4014. ISCA, (2007)A New Digital System for Singing Synthesis Allowing Expressive Control., , , and . ICMC, Michigan Publishing, (1991)Emotive Transforms.. Phonetica, 57 (2-4): 95-112 (2000)