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Deriving security requirements from crosscutting threat descriptions.

, , and . AOSD, page 112-121. ACM, (2004)

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A Parsimonious Cognitive Architecture for Human-Computer Interactive Musical Free Improvisation., , and . BICA, volume 196 of Advances in Intelligent Systems and Computing, page 219-224. Springer, (2012)Early Identification of Problem Interactions: A Tool-Supported Approach., , , and . REFSQ, volume 5512 of Lecture Notes in Computer Science, page 74-88. Springer, (2009)Learning to program: from problems to code., , , and . CEP, page 14:1-14:4. ACM, (2019)Using Discovered, Polyphonic Patterns to Filter Computer-generated Music., , , and . ICCC, page 1-10. computationalcreativity.net, (2010)Video Analysis for Evaluating Music Interaction: Musical Tabletops., , , and . Music and Human-Computer Interaction, Springer, (2013)On the Structure of Problem Variability: From Feature Diagrams to Problem Frames., , , , and . VaMoS, volume 2007-01 of Lero Technical Report, page 109-117. (2007)Specifying software features for composition: A tool-supported approach., , , and . Comput. Networks, 57 (12): 2454-2464 (2013)An Introduction to Aspect-Oriented Music Representation., , and . Computer Music Journal, 31 (4): 47-58 (2007)Deriving security requirements from crosscutting threat descriptions., , and . AOSD, page 112-121. ACM, (2004)Picking Battles: The Impact of Trust Assumptions on the Elaboration of Security Requirements., , , and . iTrust, volume 2995 of Lecture Notes in Computer Science, page 347-354. Springer, (2004)