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As Wave Impels a Wave Active Experience of Cultural Heritage and Artistic Content.

, , , , , and . INTETAIN, volume 78 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 103-112. Springer, (2011)

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User-Centered Control of Audio and Visual Expressive Feedback by Full-Body Movements., , , and . ACII, volume 4738 of Lecture Notes in Computer Science, page 501-510. Springer, (2007)Recognising Human Emotions from Body Movement and Gesture Dynamics., , and . ACII, volume 4738 of Lecture Notes in Computer Science, page 71-82. Springer, (2007)Multi-scale entropy analysis of dominance in social creative activities., , , , , and . ACM Multimedia, page 1035-1038. ACM, (2010)Non-verbal Full Body Emotional and Social Interaction: A Case Study on Multimedia Systems for Active Music Listening.. INTETAIN, volume 9 of Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, page 9-18. Springer, (2009)Developing Multimodal Interactive Systems with EyesWeb XMI., , , and . NIME, page 305-308. nime.org, (2007)Towards a Multimodal Repository of Expressive Movement Qualities in Dance., , , , , , , and . MOCO, page 10:1-10:8. ACM, (2016)Limbs synchronisation as a measure of movement quality in karate., , , and . MOCO, page 29:1-29:6. ACM, (2017)A system to support non-IT researchers in the automated analysis of human movement., , , and . AVI, page 52:1-52:3. ACM, (2018)Mappe per Affetti Erranti: a Multimodal System for Social Active Listening and Expressive Performance., , , , and . NIME, page 134-139. nime.org, (2008)Real Time Knowledge Representation and Reasoning About Real Tasks., , and . ECAI, page 418-419. John Wiley and Sons, (1992)