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User-Driven Techniques for the Design and Evaluation of New Musical Interfaces., and . Computer Music Journal, 40 (2): 35-46 (2016)Visualization feedback for musical ensemble practice: a case study on phrase articulation and dynamics., , and . Visualization and Data Analysis, volume 8294 of SPIE Proceedings, page 82940A. SPIE, (2012)Did "Minority Report" Get It Wrong? Superiority of the Mouse over 3D Input Devices in a 3D Placement Task., , , , , and . INTERACT (2), volume 5727 of Lecture Notes in Computer Science, page 400-414. Springer, (2009)Raising the Heat: Electrical Muscle Stimulation for Simulated Heat Withdrawal Response., , and . UIST (Adjunct Volume), page 137-139. ACM, (2017)Evaluating Multimodal Feedback for Assembly Tasks in a Virtual Environment., , , and . PACMHCI, 3 (EICS): 21:1-21:11 (2019)The loud bird doesn't (always) get the worm: Why computational salience also needs brightness and tempo., , and . ICAD, page 236-243. Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts Graz (KUG), Austria, (2015)Feel-a-bump: Haptic feedback for foot-based angular menu selection., , and . HAPTICS, page 175-179. IEEE, (2018)Human - Computer Interaction.. Wiley Encyclopedia of Computer Science and Engineering, John Wiley & Sons, Inc., (2008)Efficient image restoration with the Huber-Markov prior model., and . ICIP, page 513-516. IEEE, (2008)An Improved Representation of Junctions Through Asymmetric Tensor Diffusion., and . ISVC (1), volume 4291 of Lecture Notes in Computer Science, page 363-372. Springer, (2006)