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Arrangements: flexibly adapting music data for live performance.

, and . NIME, page 315-316. nime.org, (2015)

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Methods and Prospects for Human-Computer Performance of Popular Music., , , and . Computer Music Journal, 38 (2): 36-50 (2014)Autonomous robot dancing driven by beats and emotions of music., , , and . AAMAS, page 205-212. IFAAMAS, (2012)Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance., and . CMMR, volume 8905 of Lecture Notes in Computer Science, page 72-85. Springer, (2013)Tactus: Toolkit-Level Support for Synchronized Interactive Multimedia., , , , and . Multim. Syst., 1 (2): 77-86 (1993)MARBLE: Music Audio Representation Benchmark for Universal Evaluation., , , , , , , , , and 15 other author(s). CoRR, (2023)MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training., , , , , , , , , and 8 other author(s). CoRR, (2023)A Bootstrap Method for Training an Accurate Audio Segmenter., and . ISMIR, page 223-229. (2005)ShIFT: A Semi-haptic Interface for Flute Tutoring., , , , and . CoRR, (2018)A comparison of melodic database retrieval techniques using sung queries., and . JCDL, page 301-307. ACM, (2002)Discovering Musical Structure in Audio Recordings., and . ICMAI, volume 2445 of Lecture Notes in Computer Science, page 43-57. Springer, (2002)