<rdf:RDF xmlns:community="http://www.bibsonomy.org/ontologies/2008/05/community#" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:cc="http://web.resource.org/cc/" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" xmlns:swrc="http://swrc.ontoware.org/ontology#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xml:base="http://www.bibsonomy.org/tag/movies"><owl:Ontology rdf:about=""><rdfs:comment>BibSonomy publications for /tag/movies</rdfs:comment><owl:imports rdf:resource="http://swrc.ontoware.org/ontology/portal"/></owl:Ontology><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2e4cc0d7b14b091f64d1377fb8625f92e/cschenk"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2e4cc0d7b14b091f64d1377fb8625f92e/cschenk"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#InProceedings"/><owl:sameAs rdf:resource="http://eprints.ecs.soton.ac.uk/14007/"/><swrc:date>Sun Jun 08 12:59:40 CEST 2008</swrc:date><swrc:booktitle>4th European Semantic Web Conference, Bridging the Gap between Semantic Web and Web 2.0</swrc:booktitle><swrc:title>Folksonomies, the Semantic Web, and Movie Recommendation </swrc:title><swrc:year>2007</swrc:year><swrc:keywords>folksonomies collaborative web movies netflix read:2008 kind-of-tags recommendation semantic web2.0 imdb paper tagora tags filtering </swrc:keywords><swrc:abstract>While the Semantic Web has evolved to support the meaningful exchange of heterogeneous data through shared and controlled conceptualisations, Web 2.0 has demonstrated that large-scale community tagging sites can enrich the semantic web with readily accessible and valuable knowledge. In this paper, we investigate the integration of a movies folksonomy with a semantic knowledge base about user-movie rentals. The folksonomy is used to enrich the knowledge base with descriptions and categorisations of movie titles, and user interests and opinions. Using tags harvested from the Internet Movie Database, and movie rating data gathered by Netﬂix, we perform experiments to investigate the question that folksonomy-generated movie tag-clouds can be used to construct better user proﬁles that reﬂect a user’s level of interest in different kinds of movies, and therefore, provide a basis for prediction of their rating for a previously unseen movie.</swrc:abstract><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Martin Szomszor"/></rdf:_1><rdf:_2><swrc:Person swrc:name="Ciro Cattuto"/></rdf:_2><rdf:_3><swrc:Person swrc:name="Harith Alani"/></rdf:_3><rdf:_4><swrc:Person swrc:name="Kieron O&#039;Hara"/></rdf:_4><rdf:_5><swrc:Person swrc:name="Andrea Baldassarri"/></rdf:_5><rdf:_6><swrc:Person swrc:name="Vittorio Loreto"/></rdf:_6><rdf:_7><swrc:Person swrc:name="Vito D.P. Servedio"/></rdf:_7></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/20da8fd6ead362e62f3eb21f448c66cb1/akaneikeda"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/20da8fd6ead362e62f3eb21f448c66cb1/akaneikeda"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Article"/><owl:sameAs rdf:resource="http://con.sagepub.com/cgi/content/abstract/13/2/199"/><swrc:date>Thu May 29 08:57:46 CEST 2008</swrc:date><swrc:journal>Convergence</swrc:journal><swrc:number>2</swrc:number><swrc:pages>199-211</swrc:pages><swrc:title>{The Format Wars: Drawing the Battle Lines for the Next DVD}</swrc:title><swrc:volume>13</swrc:volume><swrc:year>2007</swrc:year><swrc:keywords>lv_crossmedia movies apple </swrc:keywords><swrc:abstract>Soon the DVD format will celebrate its tenth anniversary in the consumer electronics market. In those 10 years, the format has brought about some significant changes in the film industry and the home video market. Given that new DVD formats are entering the market, it might be an opportune moment to reflect on the impact of the DVD and consider its future. This article examines why the DVD format has been successful and the changes it has brought. It then discusses the two formats that may set the standard for the next generation of DVDs, and the challenges this next generation may face in light of new developments in the media market.
</swrc:abstract><swrc:hasExtraField><swrc:Field swrc:value="10.1177/1354856507075245" swrc:key="doi"/></swrc:hasExtraField><swrc:hasExtraField><swrc:Field swrc:value="http://con.sagepub.com/cgi/reprint/13/2/199.pdf" swrc:key="eprint"/></swrc:hasExtraField><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Robert Alan Brookey"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/247a6f7bf0309d74b370029954c71d282/akaneikeda"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/247a6f7bf0309d74b370029954c71d282/akaneikeda"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Article"/><owl:sameAs rdf:resource="http://con.sagepub.com/cgi/content/abstract/14/2/145"/><swrc:date>Thu May 29 08:55:48 CEST 2008</swrc:date><swrc:journal>Convergence</swrc:journal><swrc:number>2</swrc:number><swrc:pages>145-160</swrc:pages><swrc:title>{&#039;The Coolest Way to Watch Movie Trailers in the World&#039;: Trailers in the Digital Age}</swrc:title><swrc:volume>14</swrc:volume><swrc:year>2008</swrc:year><swrc:keywords>movies apple lv_crossmedia </swrc:keywords><swrc:abstract>At a time of uncertainty over film and television texts being transferred online and on to portable media players, this article examines one of the few visual texts that exist comfortably on multiple screen technologies: the trailer. Adopted as an early cross-media text, the trailer now sits across cinema, television, home video, the internet, games consoles, mobile phones and iPods. Exploring the aesthetic and structural changes the trailer has undergone in its journey from the cinema to the iPod screen, the article focuses on the new mobility of these trailers, the shrinking screen size, and how audience participation with these texts has influenced both trailer production and distribution techniques. Exploring these texts, and their technological display, reveals how modern distribution techniques have created a shifting and interactive relationship between film studio and audience.
</swrc:abstract><swrc:hasExtraField><swrc:Field swrc:value="10.1177/1354856507087946" swrc:key="doi"/></swrc:hasExtraField><swrc:hasExtraField><swrc:Field swrc:value="http://con.sagepub.com/cgi/reprint/14/2/145.pdf" swrc:key="eprint"/></swrc:hasExtraField><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Keith M. Johnston"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><foaf:Group rdf:about="http://www.bibsonomy.org/tag/movies"><foaf:name>movies</foaf:name><description>Community for tag(s) movies</description></foaf:Group></rdf:RDF>