BibSonomy publications for /user/bfieldsWed Jul 21 13:55:50 CEST 2010Los Alamitos, CA, USAWeb Delivering of Music, International Conference on144-150r-MUSIC, A Collaborative Music DJ for Ad Hoc Networks02004playlistResearch recom Mon Feb 15 12:50:21 CET 2010BioinformaticsS231-S240The mutual information: Detecting and evaluating dependencies between variables18 Suppl.22002imported Mon Feb 15 12:42:14 CET 2010Intelligent Music Information Systems: Tools and MethodologiesMarsyas: a case study in implementing Music Information Retrieval Systems 2007imported Thu Jan 28 12:48:37 CET 2010Poetics125-134(10)From miscellany to homogeneity in concert programming29July 2001concert_programming music_history playlistResearch One of the biggest problems in the study of classical music is the prejudice with which those brought up in the tradition view the mores of musical culture prior to around 1800. We have expectations about what we term 'serious' music that easily turns us against the manner by which music was presented and appreciated two hundred or more years ago. If we are to understand better what musical culture was all about back then, we have to begin questioning our own presuppositions and looking with a fresh eye at what people did in the pre-modern epoch. I would like to suggest some ways by which we might try that here today in regard to concert programs. In the process I will offer a pair of concepts by which to conceive of the main principles by which programs were formed then and now: Miscellany versus Homogeneity. The change from the one to the other around 1850 constituted a massive, fundamental change in the whole nature of musical experience.Thu Jan 28 12:25:26 CET 2010Journal of Research in Music Education2151-158The Aesthetic Gap Between Consumer and Composer151967music role_analysis Thu Jan 28 12:17:11 CET 2010Coral Gables, FLMayOn the Viability of Using Mixed Feature Extraction with Multiple Statistical Models to Achieve Song Categorization by Genre2006music_classification music_similarity Thu Jan 28 12:10:26 CET 2010Media Culture Society3281-303Programming music: radio as mediator81986music playlistResearch radio Thu Jan 28 12:00:26 CET 2010Qualitative Sociology#jun#2189--215“Will This Record Work for Us?”: Managing Music Formats in Commercial Radio252002commercial manual_playlisting music playlistResearch radio How do radio stations decide what music to play on the air? Previous studies offer a single answer to this question. In contrast, this study examines the variety of ways that radio programmers answer this question by conceptualizing them as mediators between record companies and radio audiences. From interviews with programmers at commercial radio stations in the United States we identify key programming practices that programmers use to manage their stations' music formats and present a typology of repertoires of such practices. We then discuss the implications of each programming repertoire for stations' music formats and the structural conditions that promote the use of each programming repertoire. In conclusion, we consider the study's implications for understanding culture production in the commercial radio industry. ER -Thu Jan 28 11:54:50 CET 2010Popular Music2179--192Radio Space and Industrial Time: Music Formats, Local Narratives and Technological Mediation91990imported Thu Jan 28 11:42:45 CET 2010Study of MPEG-7 Sound Classification and Retrieval2004MPEG-7 music_classification Thu Jan 28 11:42:45 CET 2010http://mpeg7.doc.gold.ac.uk/mirror/index.htmlaprilAll-XM.zip, Audio Reference Software(ISO/IEC 15938-4:2001)2001, 2003MPEG-7 Thu Jan 28 11:42:45 CET 2010Bulletin of the American Society for Information Science and TechnologyDec./Jan.2The Concept of Genre and Its Characteristics272001genre_theory Thu Jan 28 11:42:45 CET 2010Coral Gables, FLMayOn the Viability of Using Mixed Feature Extraction with Multiple Statistical Models to Achieve Song Categorization by Genre2006music_classification music_similarity Thu Jan 28 11:42:45 CET 2010IEEE Transactions on Speech and Audio ProcessingSeptember5A Tutorial on Onset Detection in Music Signals132005onset_detection Thu Jan 28 11:42:45 CET 2010Int. Symposium on Music Information RetrievalTools and Architecture for the Evaluation of Similarity Measures : Case Study of Timbre Similarity2004music_similarity timbre_similarity Thu Jan 28 11:42:45 CET 2010J. Negative Results in Speech and Audio SciencesImproving Timbre Similarity : How high's the sky ?2004music_similarity Thu Jan 28 11:42:45 CET 2010IEEE Transactions on Speech and Audio ProcessingSeptember51035 - 1047A Tutorial on Onset Detection in Music Signals132005onset_detection Thu Jan 28 11:42:45 CET 2010Proc. of Int. Symposium on Music Information RetrievalA Large-Scale Evaluation of Acoustic and Subjective Music Similarity Measures2003Evaluation_systems MIREX acoustic_measures ground-truth music_similarity Thu Jan 28 11:42:45 CET 2010Leuven, BelgiumProceedings of the 1998 IEEE International Conference on Robotics & AutomationMayChoosing Good Distance Metria and Local Planners for Probabilistic Roadmap Methods1998configuration-space distance_metrics local_planners motion_planning optimisation probabilistic_roadmap Thu Jan 28 11:42:45 CET 2010Menlo Park, CA, USAAAAI '98/IAAI '98: Proceedings of the fifteenth national/tenth conference on Artificial intelligence/Innovative applications of artificial intelligence714-720Recommendation as classification: using social and content-based information in recommendation1998imported