<rdf:RDF xmlns:community="http://www.bibsonomy.org/ontologies/2008/05/community#" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:cc="http://web.resource.org/cc/" xmlns:xsd="http://www.w3.org/2001/XMLSchema#" xmlns:swrc="http://swrc.ontoware.org/ontology#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xml:base="http://www.bibsonomy.org/user/ichun"><owl:Ontology rdf:about=""><rdfs:comment>BibSonomy publications for /user/ichun</rdfs:comment><owl:imports rdf:resource="http://swrc.ontoware.org/ontology/portal"/></owl:Ontology><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/29bef0b00bf56316a023d44887ba2cebd/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/29bef0b00bf56316a023d44887ba2cebd/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#InProceedings"/><swrc:date>Tue Jul 10 17:13:46 CEST 2007</swrc:date><swrc:booktitle>International Computer Music Conference</swrc:booktitle><swrc:pages>131-137</swrc:pages><swrc:title>GenJam: A Genetic Algorithm for Generation Jazz Solos</swrc:title><swrc:year>1994</swrc:year><swrc:keywords>computer music </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="John Biles"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2259a9f7cbe891d4a186ac0e748499cee/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2259a9f7cbe891d4a186ac0e748499cee/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Tue Jul 10 14:14:01 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="McGraw-Hill"/></swrc:publisher><swrc:title>Experimental music : composition with an electronic computer</swrc:title><swrc:year>1959</swrc:year><swrc:keywords>computer music </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Lejaren Hiller"/></rdf:_1><rdf:_2><swrc:Person swrc:name="Leonard Issacson"/></rdf:_2></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/272cfd0e033f9d48e2202fd0acb0bd668/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/272cfd0e033f9d48e2202fd0acb0bd668/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Fri Jul 06 16:11:16 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Oxford"/></swrc:publisher><swrc:title>Computers and creativity</swrc:title><swrc:year>1994</swrc:year><swrc:keywords>creativity </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Derek Partridge"/></rdf:_1><rdf:_2><swrc:Person swrc:name="Jon Rowe."/></rdf:_2></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/282623fd824b0c7348d321da45d18a7d1/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/282623fd824b0c7348d321da45d18a7d1/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Article"/><owl:sameAs rdf:resource="http://dblp.uni-trier.de/db/journals/ai/ai103.html#Boden98"/><swrc:date>Fri Jul 06 16:08:03 CEST 2007</swrc:date><swrc:journal>Artif. Intell.</swrc:journal><swrc:number>1-2</swrc:number><swrc:pages>347-356</swrc:pages><swrc:title>Creativity and Artificial Intelligence.</swrc:title><swrc:volume>103</swrc:volume><swrc:year>1998</swrc:year><swrc:keywords>creativity </swrc:keywords><swrc:hasExtraField><swrc:Field swrc:value="http://dx.doi.org/10.1016/S0004-3702(98)00055-1" swrc:key="ee"/></swrc:hasExtraField><swrc:hasExtraField><swrc:Field swrc:value="2003-11-19" swrc:key="date"/></swrc:hasExtraField><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Margaret A. Boden"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2274abfaf15d1b2894390fbbf599bcdb3/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2274abfaf15d1b2894390fbbf599bcdb3/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Fri Jul 06 15:41:43 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Abacus"/></swrc:publisher><swrc:title>The Creative Mind</swrc:title><swrc:year>1990</swrc:year><swrc:keywords>creativity </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Margaret Boden"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2efcfb1ae35850addaf523441e378e71b/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2efcfb1ae35850addaf523441e378e71b/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Fri Jul 06 15:38:44 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Routledge"/></swrc:publisher><swrc:title>on creativity</swrc:title><swrc:year>1998</swrc:year><swrc:keywords>creativity </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="David Bohm"/></rdf:_1></rdf:Seq></swrc:author><swrc:editor><rdf:Seq><rdf:_1><swrc:Person swrc:name="Lee Nichol"/></rdf:_1></rdf:Seq></swrc:editor></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2e8376a48c036e9753c35c62c837e1575/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2e8376a48c036e9753c35c62c837e1575/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Article"/><owl:sameAs rdf:resource="http://dblp.uni-trier.de/db/journals/cai/cai24.html#Dostal05"/><swrc:date>Fri Jul 06 15:37:26 CEST 2007</swrc:date><swrc:journal>Computers and Artificial Intelligence</swrc:journal><swrc:number>3</swrc:number><swrc:title>Genetic Algorithms as a Model of Musical Creativity - on Generating of a Human-Like Rhythmic Accompaniment.</swrc:title><swrc:volume>24</swrc:volume><swrc:year>2005</swrc:year><swrc:keywords>algorithm creativity genetic </swrc:keywords><swrc:hasExtraField><swrc:Field swrc:value="2007-05-16" swrc:key="date"/></swrc:hasExtraField><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Martin Dostál"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2f3c4fd40d242b08cd27bceb3b9bbf5fd/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2f3c4fd40d242b08cd27bceb3b9bbf5fd/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Thu Jul 05 02:16:03 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Harwood Academic"/></swrc:publisher><swrc:title>On sonic art </swrc:title><swrc:year>1996</swrc:year><swrc:keywords>art sonic </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Trevor Wishart"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2d97a518b5d972e3d8353ca356c1aed14/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2d97a518b5d972e3d8353ca356c1aed14/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#InBook"/><swrc:date>Mon Jul 02 18:16:12 CEST 2007</swrc:date><swrc:pages>330-332</swrc:pages><swrc:publisher><swrc:Organization swrc:name="faber abd faber"/></swrc:publisher><swrc:title>A year with swollen appendices</swrc:title><swrc:year>1996</swrc:year><swrc:keywords>generative music </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Brian Eno"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/29c05ba214d87bd6d93c83143d47accd7/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/29c05ba214d87bd6d93c83143d47accd7/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Mon Jul 02 17:01:36 CEST 2007</swrc:date><swrc:title>Musurgia Universalis</swrc:title><swrc:year>1650</swrc:year><swrc:keywords>musicology </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Athanasius Kircher"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2a3c4d7e523267cb5d384134b362c4ce1/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2a3c4d7e523267cb5d384134b362c4ce1/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#InBook"/><swrc:date>Mon Jul 02 16:45:22 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Strawberry Press"/></swrc:publisher><swrc:title>Ada, The Enchantress of Numbers</swrc:title><swrc:year>1992</swrc:year><swrc:keywords>ada </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Betty Alexandra Toole"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/267139a13af6833e8df9bc319a7832f37/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/267139a13af6833e8df9bc319a7832f37/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Mon Jul 02 16:25:39 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Oxford university press"/></swrc:publisher><swrc:title>Emergence, from chaos to order</swrc:title><swrc:year>1998</swrc:year><swrc:keywords>GA emergence </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="John H. Holland"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2e5f77b8eafd89f1ea3b925b6ee4661c8/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2e5f77b8eafd89f1ea3b925b6ee4661c8/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Mon Jul 02 16:23:06 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Penguin Books"/></swrc:publisher><swrc:title>The Blind Watchmaker</swrc:title><swrc:year>1986</swrc:year><swrc:keywords>evolution </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Richard Dawkins"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2773b44ac426905dbd940cc64a362c009/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2773b44ac426905dbd940cc64a362c009/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Wed Jun 27 17:40:06 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="1988"/></swrc:publisher><swrc:title>The gift economy</swrc:title><swrc:year>1988</swrc:year><swrc:keywords>economy gift </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="David Cheat"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/27f81f8373dbab4058d7b1f2b35f76ec3/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/27f81f8373dbab4058d7b1f2b35f76ec3/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Wed Jun 27 17:18:04 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="penguin books"/></swrc:publisher><swrc:title>Rebel Code: Linux and the open source revolution</swrc:title><swrc:year>2001</swrc:year><swrc:keywords>linux </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Glyn moody"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2096ba1d3da58ce30eb63f95fc618ee40/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2096ba1d3da58ce30eb63f95fc618ee40/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Wed Jun 27 16:53:44 CEST 2007</swrc:date><swrc:title>Algorithmic Aesthetics</swrc:title><swrc:year>1978</swrc:year><swrc:keywords>aesthetics algorithmic </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="George Stiny"/></rdf:_1><rdf:_2><swrc:Person swrc:name="James Gips"/></rdf:_2></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2d12e9800411d173b69c46e60a6bfc108/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2d12e9800411d173b69c46e60a6bfc108/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Wed Jun 27 16:43:30 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Academic Press"/></swrc:publisher><swrc:title>Creative Evolutionary Systems</swrc:title><swrc:year>2002</swrc:year><swrc:keywords>creativity evolutionary </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Peter Bentley"/></rdf:_1><rdf:_2><swrc:Person swrc:name="David W. Corne"/></rdf:_2></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/26c78b4740a992f02442b714884b1b3f3/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/26c78b4740a992f02442b714884b1b3f3/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Article"/><swrc:date>Tue Jun 26 15:55:19 CEST 2007</swrc:date><swrc:title>Living it up with a Live Programming Language</swrc:title><swrc:year>2007</swrc:year><swrc:keywords>live programming </swrc:keywords><swrc:abstract>A dynamic language improves programmer productivity through flexible typing, a focus on high-level programming, and by streamlining the edit-compile-debug cycle. Live languages go beyond dynamic languages with more programmer-centric features. A live language supports live programming that provides programmers with responsive and continuous feedback about how their edits affect program execution. A live language is also based on declarative programming constructs such as rules or data-flow connections so that programmers can write less code. A live language should also provide programmers with responsive semantic feedback to enable time-saving services such as code completion. This paper describes the design a textual live language known as SuperGlue. SuperGlue is based on reactive values known as signals that are supported with declarative data-flow connections and dynamic inheritance. Through signals and dynamic inheritance, SuperGlue supports live programming, declarative programming, and responsive semantic feedback. We demonstrate live programming in SuperGlue with a working prototype.</swrc:abstract><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Sean McDirmid"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/243c8dcac9ab9884f84a6271e012a3f0d/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/243c8dcac9ab9884f84a6271e012a3f0d/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Tue Jun 26 13:45:01 CEST 2007</swrc:date><swrc:edition>Second</swrc:edition><swrc:publisher><swrc:Organization swrc:name="Cambridge"/></swrc:publisher><swrc:title>Experimental Music, cage and Beyond</swrc:title><swrc:year>1999</swrc:year><swrc:keywords>Experimental music </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Michael Nyman"/></rdf:_1></rdf:Seq></swrc:author></rdf:Description><rdf:Description rdf:about="http://www.bibsonomy.org/bibtex/2c9931b1429c88692a49e6d587087a5d0/ichun"><owl:sameAs rdf:resource="http://www.bibsonomy.org/uri/bibtex/2c9931b1429c88692a49e6d587087a5d0/ichun"/><rdf:type rdf:resource="http://swrc.ontoware.org/ontology#Book"/><swrc:date>Tue Jun 26 13:01:04 CEST 2007</swrc:date><swrc:publisher><swrc:Organization swrc:name="Hodder &amp; Stoughton"/></swrc:publisher><swrc:title>being digital</swrc:title><swrc:year>1995</swrc:year><swrc:keywords>computing digital </swrc:keywords><swrc:author><rdf:Seq><rdf:_1><swrc:Person swrc:name="Nicholas LinkNegroponte"/></rdf:_1></rdf:Seq></swrc:author><swrc:editor><rdf:Seq><rdf:_1><swrc:Person swrc:name=" 1995"/></rdf:_1></rdf:Seq></swrc:editor></rdf:Description></rdf:RDF>