BibSonomy :: tag  ::

order by ( date | folkrank )

Los Angeles police offered a $200,000 reward today for information leading to the return of at least a dozen paintings worth millions, including works by M...Los Angeles police offered a $200,000 reward today for information leading to the return of at least a dozen paintings worth millions, including works by Marc Chagall and Diego Rivera, that were stolen from an Encino home.

Art:21 interviews artist Ann Hamilton about her pinhole photography work

The art and photography of Ove Kvavik.

Levi van Veluw´s photo series are self-portraits, drawn and photographed by himself: a one-man-process. His works constitute elemental transfers; modifying...Levi van Veluw´s photo series are self-portraits, drawn and photographed by himself: a one-man-process. His works constitute elemental transfers; modifying the face as object; combining it with other stylistic elements to create a third visual object of great visual impact. The work you see therefore is not a portrait, but an information-rich image of colour, form, texture, and content. The image contains the history of a short creative process, with the artist shifting between the entities of subject and object.

The David Lance Goines posters are arranged in eight poster groupings organized by poster catalog numbers and are represented below by the first poster in ...The David Lance Goines posters are arranged in eight poster groupings organized by poster catalog numbers and are represented below by the first poster in each group below. Specific inks for approximate years of production are included as well.

Li Wei sees his art as a mission to set the scene for the perfect photograph and a perfect performance

The "Urban Nomad" inflatable shelter is conceived as both a social and humanitarian act. As a social act, the intention is to distribute thousands of these...The "Urban Nomad" inflatable shelter is conceived as both a social and humanitarian act. As a social act, the intention is to distribute thousands of these bright colored structures in order to foster a dialog about the invisibility and marginalization of the homeless.

Dada blasted onto the scene in 1916 with ear-splitting enthusiasm: rowdy, brazen, irreverent, and assaulting. Its sounds were clamorous, its visions were s...Dada blasted onto the scene in 1916 with ear-splitting enthusiasm: rowdy, brazen, irreverent, and assaulting. Its sounds were clamorous, its visions were shocking, and its language was explosive. Yet Dada was not aimless anarchy. Rather, the artists were responding to the violence and trauma of World War I—and to the shock of modernity more generally—by developing shock tactics of their own. They critiqued traditional conceptions of the artist as master of his medium by using prefabricated materials or relegating aesthetic decisions to chance. They scoffed at the conventional definition of artistic media, expanding it to include the stuff of modern life—newspapers, magazines, ticket stubs, mechanical parts, food wrappers, pipes, advertisements, light bulbs, and so on. Through their performances, publicity stunts, and manipulation of mass media, they further altered perceptions of what constituted a work of art by blurring the boundaries between art and life.

This website is both an online gallery of Japanese woodblock prints (ukiyo-e and shin hanga) as well as a library of research and reference articles about ...This website is both an online gallery of Japanese woodblock prints (ukiyo-e and shin hanga) as well as a library of research and reference articles about Japanese woodblocks, publishers, artists, printmaking techniques, and advice for collectors.><META NAME=

Slavers throwing overboard the Dead and Dying - Typhon coming on (The Slave Ship), 1840 90 x122cm Boston Museum of Fine Arts

Jennifer Hoffmann El Palacio113(2):18-20(2008)

Markus Spangenberg Verhandlungen des Historischen Vereins für Oberpfalz und Regensburg(2004)

The Iranian Graphic Designers Society (IGDS) (eds.). (2003) Available from the IGDS; in Farsi and English; 72 pages with 53 full color illustrations; 15.5x17 cm; soft cover; 20000 Rls.; Introduction by Aydin Aghdash...Available from the IGDS; in Farsi and English; 72 pages with 53 full color illustrations; 15.5x17 cm; soft cover; 20000 Rls.; Introduction by Aydin Aghdashloo and Ali Asghar Ramezanpour .

Tehran Museum of Contemporary Art (eds.). (2004) available from the IGDS and the publisher; in Farsi and English; 132 pages; full color; 21x27 cm; soft cover; 100000 Rls. .

The Iranian Graphic Designers Society (IGDS) (eds.). (2007) available from the IGDS; in Farsi and English; 360 pages, full color illustrations; 22.5x28 cm; soft cover; 300,000 .

The Iranian Graphic Designers Society (IGDS) (eds.). Visual Art Center, (2003) available from the IGDS; in Farsi and French; 46 pages with 90 full color illustrations; 15x21.2 cm; soft cover; 20000 Rls., Introduction by Alain Le Quern...available from the IGDS; in Farsi and French; 46 pages with 90 full color illustrations; 15x21.2 cm; soft cover; 20000 Rls., Introduction by Alain Le Quernec .

Morteza Momayez Grenoble, (2002) 30 Bl. mit farb. Abb., .

Abrams (eds.). Booth-Clibborn ed, (2002) ISBN 186154233X, 200 Seiten .

Shiva Balaghi and Lynn Gumpert (eds.). (2003) ISBN 1860648835, Tauris I B; Auflage: Ill (22. Februar 2003) .

Brian H. Baxter Mind(1983)

Michael Chanan The British Journal of Aesthetics(1972)

Heidi Keller Schweizerische Zeitschrift fuer Psychologie(1988) ID: 2055; DB - PSYNDEXplus Literature and Audiovisual Media; AN: 0031810; RP: NOT IN FILE .

Josef Strzygowski A. Schroll & co., (1923)

Christian Hundertmark Art Of Rebellion Publikat Verl., Mainaschaff, (2003) 148 S. : zahlr. Ill., ISBN 3-9807478-3-2 Gb. : EUR 22.90 .

Fred Turner Journal of Visual Culture7(1):5 - 26(2008)

Daniel Belgrad (1998) Content: Pt. 1. The Collective Unconscious -- 1. The Emergence of an Avant-Garde -- 2. The Avant-Garde and the American Indian -- 3. Ideogram -- Pt. 2. The...Content: Pt. 1. The Collective Unconscious -- 1. The Emergence of an Avant-Garde -- 2. The Avant-Garde and the American Indian -- 3. Ideogram -- Pt. 2. The Energy Field -- 4. Subjectivity, Existentialism, and Plastic Dialogue -- 5. Subjectivity in the Energy Field: The Influence of Alfred North Whitehead -- 6. Gestalt -- 7. The Body in Plastic Dialogue: Dance and Ceramics -- Pt. 3. Spontaneous Bop Prosody -- 8. Bebop -- 9. The Beats -- 10. Battling the Social Neurosis. Conclusion Into the Sixties ISBN 0226041883 .

James L. Alty and Olav W. Bertelsen and Jay David Bolter and Paul Fishwick and John Lee and Roger F. Malina and Frieder Nake and Susanne Grabowski and Ray Paton and Donna Cox and Monika Fleischmann and Wolfgang Strauss and Kenneth A. Huff and et al. The MIT Press, Cambridge, First edition, (2006)