Zusammenfassung
Department of Mass Communications, St Cloud State University, rmajid@stcloudstate.edu
Historically, analyses of change in mass media systems have tended
to draw upon a ‘dissident vs state’ framework, derived largely from
the western historical experience. In the case of China, a ‘state
vs market’ scenario has been superimposed on this basic framework,
in the context of which the Chinese Communist party-state is often
portrayed as a monolithic entity intent on promoting market-oriented
reform in China’s economic base, while keeping a tight grip on the
country’s mass media system and political superstructure. These dominant
analytical frameworks tend to mask a number of important dynamics
unique to Chinese history and society, that have played a significant
role in the mass media transformation process. The purpose of this
article is to outline a new conceptual framework incorporating these
unique dynamics. In particular, it is the contention of this article
that many of the changes in China’s mass media system during the
post-Mao period have been achieved by non-state actors, not in an
adversarial process vis-à-vis the state, but through what may be
called ‘creative renegotiation and expansion’ of new policy openings
initiated by the state. The success of these non-state actors, furthermore,
has been due to three major systemic factors: (1) the increasing
‘deideologization’ of the Chinese society set in motion by Deng’s
pragmatic policies; (2) the gradual functional shift on the part
of the local party cadres and bureaucratic authorities from ideological
supervision to entrepreneurial collaboration with private investors;
and (3) the increasingly common core of interest created by the media’s
commercialization among the party cadres, bureaucratic bodies and
media entrepreneurs and managers in extracting profits from the media.
Nutzer