%0 Book %1 kuper2013beasts %A Kuper, Rudolph et al. %B Africa Praehistorica %C Cologne %D 2013 %I Heinrich-Barth-Institut %K AP hbi %N 26 %R 10.18716/hbi/ap26 %T Wadi Sura. The Cave of Beasts %X 70 years after the discovery of the famous “Cave of Swimmers” in the heart of the Libyan Desert by the “English Patient” László Almásy, only 10 km further west along the edge of the Gilf Kebir plateau, Massimo and Jacopo Foggini detected another painted shelter which – with its exceedingly rich and complex imagery – clearly surpasses all comparable rock art sites in Egypt, if not in the entire Sahara. About 8000 single figures, among them numerous hybrid creatures that inspired its name, “The Cave of Beasts”, offer unique insights into daily life and spirituality of a so far unknown past cultural world of about 8000 years ago and certainly range this shelter among the most important prehistoric sites of the continent. In order to make this extraordinary cultural heritage broadly accessible for scientific studies as well as for the larger public, an interdisciplinary research project was launched in 2009, financed by the German Research Council (DFG), which aims at a comprehensive documentation of the rock art as well as at its placement in the archaeological context of the surrounding landscape. In summer 2013, the first of three planned volumes will be published, presenting on 220 double pages the complete picture trove of Wadi Sura II in scale 1:2, based on high resolution digital photography and straightened by 3D laser scanning. The volume will be supplemented by 13 articles dealing with the context of the pictures and their archaeological setting.

@book{kuper2013beasts, abstract = {70 years after the discovery of the famous “Cave of Swimmers” in the heart of the Libyan Desert by the “English Patient” László Almásy, only 10 km further west along the edge of the Gilf Kebir plateau, Massimo and Jacopo Foggini detected another painted shelter which – with its exceedingly rich and complex imagery – clearly surpasses all comparable rock art sites in Egypt, if not in the entire Sahara. About 8000 single figures, among them numerous hybrid creatures that inspired its name, “The Cave of Beasts”, offer unique insights into daily life and spirituality of a so far unknown past cultural world of about 8000 years ago and certainly range this shelter among the most important prehistoric sites of the continent. In order to make this extraordinary cultural heritage broadly accessible for scientific studies as well as for the larger public, an interdisciplinary research project was launched in 2009, financed by the German Research Council (DFG), which aims at a comprehensive documentation of the rock art as well as at its placement in the archaeological context of the surrounding landscape. In summer 2013, the first of three planned volumes will be published, presenting on 220 double pages the complete picture trove of Wadi Sura II in scale 1:2, based on high resolution digital photography and straightened by 3D laser scanning. The volume will be supplemented by 13 articles dealing with the context of the pictures and their archaeological setting.}, added-at = {2024-02-28T16:08:03.000+0100}, address = {Cologne}, author = {Kuper, Rudolph et al.}, biburl = {https://www.bibsonomy.org/bibtex/20560e75dc090e502365df2b89a5997e0/hbi}, doi = {10.18716/hbi/ap26}, interhash = {51e8e2c898e614a2d0cd0dd0bdb8e1cb}, intrahash = {0560e75dc090e502365df2b89a5997e0}, keywords = {AP hbi}, number = 26, publisher = {Heinrich-Barth-Institut}, series = {Africa Praehistorica}, timestamp = {2025-02-14T16:48:57.000+0100}, title = {Wadi Sura. The Cave of Beasts}, year = 2013 }