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Automatic Classification of Musical Pieces into Global Cultural Areas.

, , , , and . Semantic Audio, Audio Engineering Society, (2011)

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Acoustic Scene Classification by Combining Autoencoder-Based Dimensionality Reduction and Convolutional Neural Networks., , , and . DCASE, page 7-11. (2017)How reliable are posterior class probabilities in automatic music classification?, , , , and . Audio Mostly Conference, page 45-50. ACM, (2023)Multi-pitch Estimation meets Microphone Mismatch: Applicability of Domain Adaptation., , , , and . ISMIR, page 477-484. (2022)Entropy and Dynamism Criteria for Speech and Audio Classification Applications., , and . TSD, volume 2807 of Lecture Notes in Computer Science, page 275-280. Springer, (2003)Multi-input Architecture and Disentangled Representation Learning for Multi-dimensional Modeling of Music Similarity., , and . CoRR, (2021)Soundslike., and . GI-Jahrestagung, volume P-275 of LNI, page 139-150. GI, (2017)Sounding Industry: Challenges and Datasets for Industrial Sound Analysis., , , and . EUSIPCO, page 1-5. IEEE, (2019)Confidence Measures in Automatic Music Classification.. GfKl, page 397-405. Springer, (2012)Urban Noise Monitoring in the Stadtlärm Project - A Field Report., , , , , , , and . DCASE, page 1-4. (2019)Automatic speech/music discrimination for broadcast signals., , and . GI-Jahrestagung, volume P-275 of LNI, page 151-162. GI, (2017)