( en | de | ru )

 

Disambiguation of "Kowald, Dominik"

Author of the publication

copydeleteadd this publication to your clipboard
The TagRec Framework as a Toolkit for the Development of Tag-Based Recommender Systems.

, , and . UMAP (Adjunct Publication), page 23-28. ACM, (2017)

Please choose a person to relate this publication to

To differ between persons with the same name, the academic degree and the title of an important publication will be displayed. You can also use the button next to the name to display some publications already assigned to the person.

Annette Kowald

Bernd Kowald

Jan Kowald

Rainer Kowald

Cäcilie Kowald

 

Other publications of authors with the same name

The Influence of Frequency, Recency and Semantic Context on the Reuse of Tags in Social Tagging Systems, and . (2016)cite arxiv:1604.00837Comment: Accepted by Hypertext 2016 conference as short paper.Mitigating Confirmation Bias on Twitter by Recommending Opposing Views., , and . CoRR, (2018)The TagRec Framework as a Toolkit for the Development of Tag-Based Recommender Systems., , and . CoRR, (2019)Recommending tags with a model of human categorization., , , and . CIKM, page 2381-2386. ACM, (2013)TagRec: towards a toolkit for reproducible evaluation and development of tag-based recommender algorithms., , and . SIGWEB Newsl., 2015 (Winter): 3:1-3:10 (2015)Long-term dynamics of fairness: understanding the impact of data-driven targeted help on job seekers., , , and . CoRR, (2022)ReuseKNN: Neighborhood Reuse for Privacy-Aware Recommendations., , , and . CoRR, (2022)Analytics for Everyday Learning from two Perspectives: Knowledge Workers and Teachers., , , , , and . AFEL@EC-TEL, volume 2209 of CEUR Workshop Proceedings, CEUR-WS.org, (2018)High Enough?: Explaining and Predicting Traveler Satisfaction Using Airline Reviews., , and . HT, page 249-254. ACM, (2016)My friends also prefer diverse music: homophily and link prediction with user preferences for mainstream, novelty, and diversity in music., , , and . ASONAM, page 447-454. ACM, (2021)