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Imposing higher-level Structure in Polyphonic Music Generation using Convolutional Restricted Boltzmann Machines and Constraints.

, , and . CoRR, (2016)

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Improving Content-Invariance in Gated Autoencoders for 2D and 3D Object Rotation., and . CoRR, (2017)High-Level Control of Drum Track Generation Using Learned Patterns of Rhythmic Interaction., and . WASPAA, page 35-39. IEEE, (2019)PESTO: Pitch Estimation With Self-Supervised Transposition-Equivariant Objective., , , and . ISMIR, page 535-544. (2023)Comparing Representations for Audio Synthesis Using Generative Adversarial Networks., , and . EUSIPCO, page 161-165. IEEE, (2020)Imposing higher-level Structure in Polyphonic Music Generation using Convolutional Restricted Boltzmann Machines and Constraints., , and . CoRR, (2016)Pseudo-Supervised Training Improves Unsupervised Melody Segmentation., , and . IJCAI, page 2459-2465. AAAI Press, (2015)Singer Identity Representation Learning Using Self-Supervised Techniques., , and . ISMIR, page 448-456. (2023)Audio-to-Score Alignment using Transposition-invariant Features., and . ISMIR, page 592-599. (2018)DrumGAN VST: A Plugin for Drum Sound Analysis/Synthesis With Autoencoding Generative Adversarial Networks., , , and . CoRR, (2022)Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines., , , and . MCM, volume 9110 of Lecture Notes in Computer Science, page 323-334. Springer, (2015)