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Linear Basis Models for Prediction and Analysis of Musical Expression, and . Journal of New Music Research, (2012)An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music., , , and . Mach. Learn., 106 (6): 887-909 (2017)The ACCompanion v0.1: An Expressive Accompaniment System., , , , , , , and . CoRR, (2017)Towards computer-assisted understanding of dynamics in symphonic music., , , and . CoRR, (2016)Improving Content-Invariance in Gated Autoencoders for 2D and 3D Object Rotation., and . CoRR, (2017)High-Level Control of Drum Track Generation Using Learned Patterns of Rhythmic Interaction., and . WASPAA, page 35-39. IEEE, (2019)Evolutionary Optimization of Music Performance Annotation., , and . CMMR, volume 3310 of Lecture Notes in Computer Science, page 347-358. Springer, (2004)Who Is Who in the End? Recognizing Pianists by Their Final Ritardandi., and . ISMIR, page 51-56. International Society for Music Information Retrieval, (2009)Toward Computer-Assisted Understanding of Dynamics in Symphonic Music., , , and . IEEE Multim., 24 (1): 36-46 (2017)The match file format: Encoding Alignments between Scores and Performances., , , , , and . CoRR, (2022)