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Audio-Based Musical Version Identification: Elements and challenges.

, , , , and . IEEE Signal Process. Mag., 38 (6): 115-136 (2021)

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Pitch Contours as a Mid-Level Representation for Music Informatics., , , and . Semantic Audio, Audio Engineering Society, (2017)Neural Music Synthesis for Flexible Timbre Control., , , and . ICASSP, page 176-180. IEEE, (2019)An Introduction to Signal Processing for Singing-Voice Analysis: High Notes in the Effort to Automate the Understanding of Vocals in Music., , , , , , , , , and 2 other author(s). IEEE Signal Process. Mag., 36 (1): 82-94 (2019)GuitarSet: A Dataset for Guitar Transcription., , , , and . ISMIR, page 453-460. (2018)Audio-Based Musical Version Identification: Elements and challenges., , , , and . IEEE Signal Process. Mag., 38 (6): 115-136 (2021)Open-Source Practices for Music Signal Processing Research: Recommendations for Transparent, Sustainable, and Reproducible Audio Research., , , , , and . IEEE Signal Process. Mag., 36 (1): 128-137 (2019)Learned complex masks for multi-instrument source separation., , , and . CoRR, (2021)Data Cleansing with Contrastive Learning for Vocal Note Event Annotations., , , and . ISMIR, page 255-262. (2020)Building a Harmonically Ecosystemic Machine: Combining Sonic Ecosystems with Models of Contemporary Harmonic Language., , and . ICMC, Michigan Publishing, (2015)Vocals in Music Matter: the Relevance of Vocals in the Minds of Listeners., , , and . ISMIR, page 514-520. (2018)