IMCAC is dedicated to collection, study & exhibition of collage, assemblage, construction, montage, photo-montage, digital collage, concrete poetry, collage poetry, film, sound collage, & ther forms of constructive art.
A multilanguage blog with links and information on poetic invention – our term for exploratory/ investigative/ experimental/ radical/ conceptual poetry. [Graphic poetry, or poetic graphics...]
Peter Ciccariello is an interdisciplinary artist, poet, and photographer, whose current interests are in experimenting with the fusion of text and images in 3-D computer graphics environments, and exploring the possibilities of poetry as landscape.
The Great Discontent is a journal of interviews focusing on creativity, risk, and what connects us as artists. First designed and published by Ryan and Tina Essmaker in the great state of Michigan, the journey now continues in NYC. We typically publish a new interview every Tuesday.
Pick up a book, magazine or screen, and more than likely you'll come across some typography designed by Matthew Carter. In this charming talk, the man behind typefaces such as Verdana, Georgia and Bell Centennial (designed just for phone books -- remember them?), takes us on a spin through a career focused on the very last pixel of each letter of a font.
T. (IGDS) (Eds.) Visual Art Center, (2007)vailable from the IGDS; in Farsi and English; 310 pages, full color illustrations; 22.5x28 cm; soft cover; 300,000 Rls..
T. (IGDS) (Eds.) Visual Art Center, (2003)available from the IGDS; in Farsi and French; 46 pages with 90 full color illustrations; 15x21.2 cm; soft cover; 20000 Rls., Introduction by Alain Le Quernec.
I. Organization (Eds.) (2004)available from the IGDS; in Farsi and English; 64 pages with 42 full color illustrations; 21x28 cm; soft cover; 40000 Rls., Introduction by Aydin
Aghdashloo.
T. (IGDS) (Eds.) (2003)Available from the IGDS; in Farsi and English; 72
pages with 53 full color illustrations; 15.5x17 cm; soft cover; 20000 Rls.; Introduction by Aydin Aghdashloo and
Ali Asghar Ramezanpour.