"weise erinnert an Punk- und Wave-Fanzines der Achtziger, Corel Draw Layouts der Neunziger und Underground-Websites der Jetztzeit - 25 Jahre Gegenkultur, serviert selbstverständlich ohne Hyperlinks, und die fehlende Nummerierung des 500 Seiten dicken Wälzers sorgt für Verwirrung: "Bookmarks werden am besten in Form von Post-It-Zett"
goetz bei schmidt u.a. über den hettche-text (http://www.faz.net/s/RubBE163169B4324E24BA92AAEB5BDEF0DA/Doc~EDD595856D9D949B7B77F31141BDA1376~ATpl~Ecommon~Scontent.html)
Documentary about the the people of EMS (Electronic Music Studios) a radical group of avant-garde electronic musicians who utilized technology and experimentation to compose a futuristic electronic sound-scape for the New Britain. Comprising of pioneering electronic musicians Peter Zinovieff and Tristram Cary (famed for his work on the Dr Who series) and genius engineer David Cockerell, EMSs studio was one of the most advanced computer-music facilities in the world. EMSs great legacy is the VCS3, Britains first synthesizer and rival of the American Moog. The VCS3 changed the sounds of some of the most popular artists of this period including Brian Eno, Hawkwind and Pink Floy