Article,

Memory, narration and spectrality in Brian Friel's Faith Healer and Frank McGuinness's Observe the Sons of Ulster Marching Towards the Somme

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Irish Studies Review, 23 (1): 33--47 (December 2015)
DOI: 10.1080/09670882.2014.986930

Abstract

This article proposes an examination of how Brian Friel's Faith Healer functions as an intertext in Frank McGuinness's Observe the Sons of Ulster Marching Towards the Somme. This shall be the first extensive consideration of Frank McGuinness's debt to Faith Healer, the play that convinced him that drama was the form most suited to his vision. How both plays consider the relationship between history, memory and art will be a key concern. Attention shall also be paid to the shared cultural and historic traditions that unite both Friel and McGuinness. The essays that McGuinness has written on Friel will be shown to be as valuable in interpreting McGuinness's work as they are to illuminating Friel's. It shall be argued that McGuinness, far from merely parroting Friel's aesthetic, uses the earlier writer's legacy to create new and original works.

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