In this paper, we describe Censor Chair, an art installation that creates a shared experience addressing forms of censorship including self-censorship, censorship of a group upon an individual, visual and auditory censorship in digital media, and censorship in society. We are taking a playful position in considering relationships between censorship and sensors that monitor physiology. Censor Chair makes use of a galvanic skin response (GSR) sensor, live video feeds, and a barcode reader to drive the presentation of a digital media library.
%0 Conference Paper
%1 Aley:2005:CCE:1101149.1101345
%A Aley, Eric
%A Cooper, Trina
%A Graeber, Ross
%A Kerne, Andruid
%A Overby, Kyle
%A Toups, Zachary O.
%B Proceedings of the 13th Annual ACM International Conference on Multimedia
%C New York, NY, USA
%D 2005
%I ACM
%K and art artificial, augmented, censorship factors galvanic human installation interaction myown presence processing psychophysiological realities response sensing signal skin social virtual
%P 922--929
%R 10.1145/1101149.1101345
%T Censor Chair: Exploring Censorship and Social Presence Through Psychophysiological Sensing
%U http://doi.acm.org/10.1145/1101149.1101345
%X In this paper, we describe Censor Chair, an art installation that creates a shared experience addressing forms of censorship including self-censorship, censorship of a group upon an individual, visual and auditory censorship in digital media, and censorship in society. We are taking a playful position in considering relationships between censorship and sensors that monitor physiology. Censor Chair makes use of a galvanic skin response (GSR) sensor, live video feeds, and a barcode reader to drive the presentation of a digital media library.
%@ 1-59593-044-2
@inproceedings{Aley:2005:CCE:1101149.1101345,
abstract = {In this paper, we describe Censor Chair, an art installation that creates a shared experience addressing forms of censorship including self-censorship, censorship of a group upon an individual, visual and auditory censorship in digital media, and censorship in society. We are taking a playful position in considering relationships between censorship and sensors that monitor physiology. Censor Chair makes use of a galvanic skin response (GSR) sensor, live video feeds, and a barcode reader to drive the presentation of a digital media library.},
acmid = {1101345},
added-at = {2015-11-24T21:04:24.000+0100},
address = {New York, NY, USA},
author = {Aley, Eric and Cooper, Trina and Graeber, Ross and Kerne, Andruid and Overby, Kyle and Toups, Zachary O.},
biburl = {https://www.bibsonomy.org/bibtex/256ed5147c3e4def6213a1107932d311a/toupsz},
booktitle = {Proceedings of the 13th Annual ACM International Conference on Multimedia},
doi = {10.1145/1101149.1101345},
interhash = {1227042c6ae3ac0a8db188a5d69345d1},
intrahash = {56ed5147c3e4def6213a1107932d311a},
isbn = {1-59593-044-2},
keywords = {and art artificial, augmented, censorship factors galvanic human installation interaction myown presence processing psychophysiological realities response sensing signal skin social virtual},
location = {Hilton, Singapore},
numpages = {8},
pages = {922--929},
publisher = {ACM},
series = {MULTIMEDIA '05},
timestamp = {2015-11-24T21:04:24.000+0100},
title = {Censor Chair: Exploring Censorship and Social Presence Through Psychophysiological Sensing},
url = {http://doi.acm.org/10.1145/1101149.1101345},
year = 2005
}