Theater of the Absurd: A Personal and Universal Tragedy
T. Khamrakulovna. Central Asian Journal of Literature, Philosophy and Culture, 4 (6):
25-27(June 2023)
Abstract
The "Theater of the Absurd" originated in Paris as an avant-garde phenomenon, and after some time gained international recognition. The anti-play denies realistic characters, situations and all other relevant theatrical techniques. Time and place are uncertain and changeable, even the simplest causal relationships are destroyed. Senseless intrigues, repetitive dialogues and aimless chatter, dramatic inconsistency of actions. The plots of the plays, the behavior of the characters are incomprehensible, irrational, reflect the absurdity of mutual understanding, communication, dialogue.
%0 Journal Article
%1 noauthororeditor
%A Khamrakulovna, Tursunova Nargiza
%D 2023
%J Central Asian Journal of Literature, Philosophy and Culture
%K absurd, anti-drama, destruction existential languagesatirical of philosophy, regime the theater totalitarian work,
%N 6
%P 25-27
%T Theater of the Absurd: A Personal and Universal Tragedy
%U https://cajlpc.centralasianstudies.org/index.php/CAJLPC/article/view/891/1007
%V 4
%X The "Theater of the Absurd" originated in Paris as an avant-garde phenomenon, and after some time gained international recognition. The anti-play denies realistic characters, situations and all other relevant theatrical techniques. Time and place are uncertain and changeable, even the simplest causal relationships are destroyed. Senseless intrigues, repetitive dialogues and aimless chatter, dramatic inconsistency of actions. The plots of the plays, the behavior of the characters are incomprehensible, irrational, reflect the absurdity of mutual understanding, communication, dialogue.
@article{noauthororeditor,
abstract = {The "Theater of the Absurd" originated in Paris as an avant-garde phenomenon, and after some time gained international recognition. The anti-play denies realistic characters, situations and all other relevant theatrical techniques. Time and place are uncertain and changeable, even the simplest causal relationships are destroyed. Senseless intrigues, repetitive dialogues and aimless chatter, dramatic inconsistency of actions. The plots of the plays, the behavior of the characters are incomprehensible, irrational, reflect the absurdity of mutual understanding, communication, dialogue.},
added-at = {2023-09-28T14:24:07.000+0200},
author = {Khamrakulovna, Tursunova Nargiza},
biburl = {https://www.bibsonomy.org/bibtex/233af3cccc120ba8bec533de48950ac42/centralasian_20},
interhash = {27a829eab9707b38b3d46a04dc89e7e0},
intrahash = {33af3cccc120ba8bec533de48950ac42},
issn = {2660-6828},
journal = {Central Asian Journal of Literature, Philosophy and Culture},
keywords = {absurd, anti-drama, destruction existential languagesatirical of philosophy, regime the theater totalitarian work,},
language = {english},
month = {June},
number = 6,
pages = {25-27},
timestamp = {2023-09-28T14:24:07.000+0200},
title = {Theater of the Absurd: A Personal and Universal Tragedy},
url = {https://cajlpc.centralasianstudies.org/index.php/CAJLPC/article/view/891/1007},
volume = 4,
year = 2023
}