Abstract
Examines the terms "Kunstgeographie" (art geography) and "Kunstlandschaft" (artistic landscape), focusing on their theoretical implications for religious architecture and decoration in Europe during the Middle Ages. Explores how church construction and decoration styles were disseminated throughout Germany in the early medieval period, especially in the cities of Speyer, Worms, and Lehnin. Also considers how this movement of styles influenced sculpture and religious art.
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