Article,

Le Chevalier Bayard

.
Liverpool Online Series, (2000)

Abstract

Autreau began looking for inspiration outside his own imaginative powers and the Italian tradition for the first time with his fourth play, Les Amants ignorants (1720), 4 for which he adapted, with somewhat anodyne and unconvincing modifications to conform with the bienséances, the sexual trials and tribulations of Daphnis and Chloë.

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