There is a mismatch between the law relating to fair use, personal use and copying; the central thrust of Digital Rights Management (DRM) and users' behavior relating to the listening and sharing of music. This paper reports on the different copyright regimes in the United States and Australia. It describes some of the current DRM systems. Against this background, the paper draws on a qualitative study to explore Australian users' experience of listening to and sharing music. A design for a good DRM has to take into account the schism between the copyright regimes and users' sharing behavior.
Description
DRMs, fair use and users' experience of sharing music
%0 Conference Paper
%1 1102549
%A Jackson, Margaret
%A Singh, Supriya
%A Beekhuyzen, Jenine
%A Waycott, Jenny
%B DRM '05: Proceedings of the 5th ACM workshop on Digital rights management
%C New York, NY, USA
%D 2005
%I ACM Press
%K drm langzeitarchivierung musik
%P 8--16
%R http://doi.acm.org/10.1145/1102546.1102549
%T DRMs, fair use and users' experience of sharing music
%U http://portal.acm.org/citation.cfm?id=1102549&coll=Portal&dl=ACM&CFID=27628983&CFTOKEN=96340807
%X There is a mismatch between the law relating to fair use, personal use and copying; the central thrust of Digital Rights Management (DRM) and users' behavior relating to the listening and sharing of music. This paper reports on the different copyright regimes in the United States and Australia. It describes some of the current DRM systems. Against this background, the paper draws on a qualitative study to explore Australian users' experience of listening to and sharing music. A design for a good DRM has to take into account the schism between the copyright regimes and users' sharing behavior.
%@ 1-59593-230-5
@inproceedings{1102549,
abstract = {There is a mismatch between the law relating to fair use, personal use and copying; the central thrust of Digital Rights Management (DRM) and users' behavior relating to the listening and sharing of music. This paper reports on the different copyright regimes in the United States and Australia. It describes some of the current DRM systems. Against this background, the paper draws on a qualitative study to explore Australian users' experience of listening to and sharing music. A design for a good DRM has to take into account the schism between the copyright regimes and users' sharing behavior.},
added-at = {2007-07-06T09:20:16.000+0200},
address = {New York, NY, USA},
author = {Jackson, Margaret and Singh, Supriya and Beekhuyzen, Jenine and Waycott, Jenny},
biburl = {https://www.bibsonomy.org/bibtex/2e7f3a48ff6e1923abfe473204fd0ad5d/ch},
booktitle = {DRM '05: Proceedings of the 5th ACM workshop on Digital rights management},
description = {DRMs, fair use and users' experience of sharing music},
doi = {http://doi.acm.org/10.1145/1102546.1102549},
interhash = {dccea46b7a225848a733cef59901b01b},
intrahash = {e7f3a48ff6e1923abfe473204fd0ad5d},
isbn = {1-59593-230-5},
keywords = {drm langzeitarchivierung musik},
location = {Alexandria, VA, USA},
pages = {8--16},
publisher = {ACM Press},
timestamp = {2007-07-06T09:20:16.000+0200},
title = {DRMs, fair use and users' experience of sharing music},
url = {http://portal.acm.org/citation.cfm?id=1102549&coll=Portal&dl=ACM&CFID=27628983&CFTOKEN=96340807},
year = 2005
}