Abstract
In this article, the author argues that the social use of digital
photography, as represented on Flickr, signals a shift in the
engagement with the everyday image, as it has become less about the
special or rarefied moments of domestic living and more about an
immediate, rather fleeting, display and collection of one’s discovery
and framing of the small and mundane. In this way, photography is no
longer just the embalmer of time that André Bazin once spoke of, but
rather a more alive, immediate, and often transitory practice/form. In
addition, the everyday image becomes something that even the
amateur can create and comment on with relative authority and ease,
which works to break down the traditional bifurcation of amateur
versus professional categories in image-making.
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