The perception of music depends on many culture-specific factors,
but is also constrained by properties of the auditory system. This
has been best characterized for those aspects of music that involve
pitch. Pitch sequences are heard in terms of relative as well as
absolute pitch. Pitch combinations give rise to emergent properties
not present in the component notes. In this review we discuss the
basic auditory mechanisms contributing to these and other perceptual
effects in music.
McDermott, Oxenham_2008_Music perception, pitch, and the auditory system.pdf:McDermott, Oxenham_2008_Music perception, pitch, and the auditory system.pdf:PDF
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%0 Journal Article
%1 McDermott2008a
%A McDermott, Josh H
%A Oxenham, Andrew J
%D 2008
%J Current Opinion in Neurobiology
%K Acoustic Discrimination,Pitch Discrimination: Perception,Auditory Perception,Pitch Perception: Stimulation,Acoustic Stimulation: \& anatomy histology,Brain: methods,Animals,Auditory physiology,Brain,Brain: physiology,Humans,Music,Pitch physiology,Pitch physiology,Psychoacoustics,Sound,music,musicality,perception,pitch
%N 4
%P 452--63
%R 10.1016/j.conb.2008.09.005
%T Music perception, pitch, and the auditory system
%U http://www.pubmedcentral.nih.gov/articlerender.fcgi?artid=2629434&tool=pmcentrez&rendertype=abstract
%V 18
%X The perception of music depends on many culture-specific factors,
but is also constrained by properties of the auditory system. This
has been best characterized for those aspects of music that involve
pitch. Pitch sequences are heard in terms of relative as well as
absolute pitch. Pitch combinations give rise to emergent properties
not present in the component notes. In this review we discuss the
basic auditory mechanisms contributing to these and other perceptual
effects in music.
%Z good basic intro and glossary
@article{McDermott2008a,
abstract = {The perception of music depends on many culture-specific factors,
but is also constrained by properties of the auditory system. This
has been best characterized for those aspects of music that involve
pitch. Pitch sequences are heard in terms of relative as well as
absolute pitch. Pitch combinations give rise to emergent properties
not present in the component notes. In this review we discuss the
basic auditory mechanisms contributing to these and other perceptual
effects in music.},
added-at = {2011-03-27T17:20:41.000+0200},
annote = {good basic intro and glossary},
author = {McDermott, Josh H and Oxenham, Andrew J},
biburl = {https://www.bibsonomy.org/bibtex/261be558a6b23b6717b1dbea4ee01f4a2/yevb0},
doi = {10.1016/j.conb.2008.09.005},
file = {McDermott, Oxenham_2008_Music perception, pitch, and the auditory system.pdf:McDermott, Oxenham_2008_Music perception, pitch, and the auditory system.pdf:PDF},
interhash = {b984633bf3697199eda75da0c355ebef},
intrahash = {61be558a6b23b6717b1dbea4ee01f4a2},
issn = {0959-4388},
journal = {Current Opinion in Neurobiology},
keywords = {Acoustic Discrimination,Pitch Discrimination: Perception,Auditory Perception,Pitch Perception: Stimulation,Acoustic Stimulation: \& anatomy histology,Brain: methods,Animals,Auditory physiology,Brain,Brain: physiology,Humans,Music,Pitch physiology,Pitch physiology,Psychoacoustics,Sound,music,musicality,perception,pitch},
mendeley-tags = {music,musicality,perception,pitch},
month = aug,
number = 4,
pages = {452--63},
pmid = {18824100},
timestamp = {2011-03-27T17:21:00.000+0200},
title = {Music perception, pitch, and the auditory system},
url = {http://www.pubmedcentral.nih.gov/articlerender.fcgi?artid=2629434\&tool=pmcentrez\&rendertype=abstract},
volume = 18,
year = 2008
}