%0 Journal Article %1 doi:10.1080/09298219808570739 %A Lewis, Andrew %D 1998 %J Journal of New Music Research %K analysis %N 1-2 %P 67-83 %R 10.1080/09298219808570739 %T Francis Dhomont's Novars %U /brokenurl# http://dx.doi.org/10.1080/09298219808570739 %V 27 %X Abstract This paper examines Francis Dhomont's tribute to the Musique Concrete tradition, Novars. A graphic score of the work is provided, using a combination of representational and symbolic graphic objects, which not only creates an additional frame of reference for the reader, but is itself an integral part of the analytical process. A classification of sound types is undertaken and a structural plan proposed on the basis of an analysis of the roles of these sound types and their relative importance within the work. This plan is related to a possible structure based on multiple Golden Sections, and is then modified to take account of changes in sound‐type behaviour, based on a second classification. Plotting the frequency of behaviour changes reveals the work's main Golden Section to be of further structural significance.

@article{doi:10.1080/09298219808570739, abstract = { Abstract This paper examines Francis Dhomont's tribute to the Musique Concrete tradition, Novars. A graphic score of the work is provided, using a combination of representational and symbolic graphic objects, which not only creates an additional frame of reference for the reader, but is itself an integral part of the analytical process. A classification of sound types is undertaken and a structural plan proposed on the basis of an analysis of the roles of these sound types and their relative importance within the work. This plan is related to a possible structure based on multiple Golden Sections, and is then modified to take account of changes in sound‐type behaviour, based on a second classification. Plotting the frequency of behaviour changes reveals the work's main Golden Section to be of further structural significance. }, added-at = {2015-12-19T00:48:59.000+0100}, author = {Lewis, Andrew}, biburl = {https://www.bibsonomy.org/bibtex/2bf46b20a1746a2946e744812c082d0e7/mandrean}, doi = {10.1080/09298219808570739}, eprint = {http://dx.doi.org/10.1080/09298219808570739}, interhash = {50c8d00becb0909c47c7fe662f495219}, intrahash = {bf46b20a1746a2946e744812c082d0e7}, journal = {Journal of New Music Research}, keywords = {analysis}, number = {1-2}, pages = {67-83}, timestamp = {2015-12-19T00:48:59.000+0100}, title = {Francis Dhomont's Novars}, url = {/brokenurl# http://dx.doi.org/10.1080/09298219808570739 }, volume = 27, year = 1998 }