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Combining musical features for cover detection., , , , and . ISMIR, page 279-286. (2020)Power-law distribution in encoded MFCC frames of speech, music, and environmental sound signals., , , and . WWW (Companion Volume), page 895-902. ACM, (2012)Adversarial Auto-Encoding for Packet Loss Concealment., , and . WASPAA, page 71-75. IEEE, (2021)Full-Band General Audio Synthesis with Score-Based Diffusion., , , , and . ICASSP, page 1-5. IEEE, (2023)Investigating the Efficacy of Music Version Retrieval Systems for Setlist Identification., , , and . ICASSP, page 541-545. IEEE, (2021)Self-Attention Linguistic-Acoustic Decoder., , and . IberSPEECH, page 152-156. ISCA, (2018)Whispered-to-voiced Alaryngeal Speech Conversion with Generative Adversarial Networks., , , and . IberSPEECH, page 117-121. ISCA, (2018)Overcoming catastrophic forgetting with hard attention to the task., , , and . CoRR, (2018)Assessing Algorithmic Biases for Musical Version Identification., , , and . WSDM, page 1284-1290. ACM, (2022)Sample Identification in Hip Hop Music., , and . CMMR, volume 7900 of Lecture Notes in Computer Science, page 301-312. Springer, (2012)