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Validation of an Algorithm for Segmentation of Full-Body Movement Sequences by Perception: A Pilot Experiment.

, , , , and . Gesture Workshop, volume 5085 of Lecture Notes in Computer Science, page 239-244. Springer, (2007)

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Movement and gesture in intelligent interactive music systems, and . Trends in Gestural Control of Music, IRCAM Publ, (2000)User-Centered Control of Audio and Visual Expressive Feedback by Full-Body Movements., , , and . ACII, volume 4738 of Lecture Notes in Computer Science, page 501-510. Springer, (2007)Recognising Human Emotions from Body Movement and Gesture Dynamics., , and . ACII, volume 4738 of Lecture Notes in Computer Science, page 71-82. Springer, (2007)An open platform for full body interactive sonification exergames., , , , , , , , , and 2 other author(s). INTETAIN, page 168-175. IEEE, (2015)Temporal logic issues in music knowledge representation.. Microprocessing and Microprogramming, 27 (1-5): 541-546 (1989)Mappe per Affetti Erranti: a Multimodal System for Social Active Listening and Expressive Performance., , , , and . NIME, page 134-139. nime.org, (2008)Developing Multimodal Interactive Systems with EyesWeb XMI., , , and . NIME, page 305-308. nime.org, (2007)Integrating Spatio-Temporal Knowledge: A Hybrid Approach., , , and . ECAI, page 644-649. Pitmann Publishing, London, (1988)Towards a Multimodal Repository of Expressive Movement Qualities in Dance., , , , , , , and . MOCO, page 10:1-10:8. ACM, (2016)Limbs synchronisation as a measure of movement quality in karate., , , and . MOCO, page 29:1-29:6. ACM, (2017)