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Semantically Decomposing the Latent Spaces of Generative Adversarial Networks.

, , , and . ICLR (Poster), OpenReview.net, (2018)

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The NES Music Database: A multi-instrumental dataset with expressive performance attributes., , and . ISMIR, page 475-482. (2018)Melody transcription via generative pre-training., , and . ISMIR, page 485-492. (2022)GANSynth: Adversarial Neural Audio Synthesis., , , , , and . ICLR (Poster), OpenReview.net, (2019)Adversarial Audio Synthesis., , and . ICLR (Poster), OpenReview.net, (2019)SingSong: Generating musical accompaniments from singing., , , , , , , , , and 1 other author(s). CoRR, (2023)Exploring Speech Enhancement with Generative Adversarial Networks for Robust Speech Recognition., , and . ICASSP, page 5024-5028. IEEE, (2018)Adaptive Accompaniment with ReaLchords., , , , , , , , , and 3 other author(s). ICML, OpenReview.net, (2024)Web Implementation of a Security Mediator for Medical Databases., , and . DBSec, volume 113 of IFIP Conference Proceedings, page 60-72. Chapman & Hall, (1997)Towards Automatic Instrumentation by Learning to Separate Parts in Symbolic Multitrack Music., , , and . ISMIR, page 159-166. (2021)Codified audio language modeling learns useful representations for music information retrieval., , and . ISMIR, page 88-96. (2021)