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Semantics for Music Analysis through Linked Data: How Country is My Country?

, , , , , and . eScience, page 41-48. IEEE Computer Society, (2010)

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Using Audio Analysis and Network Structure to Identify Communities in On-Line Social Networks of Artists., , and . ISMIR, page 269-274. (2008)Capturing the workflows of music information retrieval for repeatability and reuse., , , , and . J. Intell. Inf. Syst., 41 (3): 435-459 (2013)Semantics for Music Researchers: How Country is my Country?, , , , , and . ISWC (Posters & Demos), volume 658 of CEUR Workshop Proceedings, CEUR-WS.org, (2010)Reuse, Remix, Repeat: the Workflows of MIR., , , , and . ISMIR, page 409-414. FEUP Edições, (2012)The segment ontology: Bridging music-generic and domain-specific., , , and . ICME, page 1-6. IEEE Computer Society, (2011)decibel 151., , and . SIGGRAPH Art Gallery, page 21:1. ACM, (2009)Automatic Group-Interactive Radio Using Social-Networks of Musicians., , and . ICWSM, The AAAI Press, (2011)Social Playlists and Bottleneck Measurements: Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow Values., , , and . ISMIR, page 559-564. (2008)Contextualize Your Listening : The Playlist as Recommendation Engine. Department of Computing, Goldsmiths, University of London, (2011)Semantics for Music Analysis through Linked Data: How Country is My Country?, , , , , and . eScience, page 41-48. IEEE Computer Society, (2010)