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How do Users Experience Asynchrony between Visual and Haptic Information?

, , , , и . MMSys, стр. 221-230. ACM, (2024)

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Cagri Üzüm

Refik Erdem

Erol Erdem

Murad Erdemir

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Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance., , и . NIME, стр. 186-191. nime.org, (2019)RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation., и . NIME, стр. 477-482. nime.org, (2020)How do Users Experience Asynchrony between Visual and Haptic Information?, , , , и . MMSys, стр. 221-230. ACM, (2024)Towards Sound Innovation Engines Using Pattern-Producing Networks and Audio Graphs., , , и . EvoMUSART, том 14633 из Lecture Notes in Computer Science, стр. 211-227. Springer, (2024)Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance., , и . CoRR, (2020)What Makes Interactive Art Engaging?, , и . Frontiers Comput. Sci., (2022)CAVI: A Coadaptive Audiovisual Instrument-Composition., , и . NIME, nime.org, (2022)Experiencing Rotation and Curvature Gain for Redirected Walking in Virtual Reality., , , , , , и . MMVE@MMSys, стр. 1-6. ACM, (2023)INTIMAL: Walking to Find Place, Breathing to Feel Presence., , и . NIME, стр. 246-249. nime.org, (2019)Biostomp: a biocontrol system for embodied performance using mechanomyography., , и . NIME, стр. 65-70. nime.org, (2017)