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What Next? Continuation in Real-Time Corpus-Based concatenative synthesis.

, , and . ICMC, Michigan Publishing, (2008)

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Innovative Computerbasierte Musikinterfaces (ICMI)., , , , , , , and . MuC (Workshopband), Gesellschaft für Informatik e.V., (2022)Interactive Soundscape Tabletop to Promote Immersive Sound Experiences for People Living With Dementia and Their Caregivers., , and . MuC, page 543-547. ACM, (2023)Playing the "MO" - Gestural Control and Re-Embodiment of Recorded Sound and Music., , , , , and . NIME, page 535-536. nime.org, (2011)Gestural Embodiment of Environmental Sounds: an Experimental Study., , , , , , and . NIME, page 144-148. nime.org, (2011)MnM: a Max/MSP mapping toolbox., , and . NIME, page 85-88. University of British Columbia, Media and Graphics Interdisciplinary Center (MAGIC), (2005)The jMax environment: an overview of new features., , , and . ICMC, Michigan Publishing, (2000)De-Mo: designing action-sound relationships with the mo interfaces., , , , , , , and . CHI Extended Abstracts, page 2907-2910. ACM, (2013)A multimodal probabilistic model for gesture-based control of sound synthesis., , and . ACM Multimedia, page 705-708. ACM, (2013)Innovative Computerbasierte Musikinterfaces (ICMI)., , , , , and . MuC (Workshopband), Gesellschaft für Informatik e.V., (2019)Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web Applications., , , and . TEI, page 685-690. ACM, (2015)