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Expressive Timing from Cross-Performance and Audio-based Alignment Patterns: An Extended Case Study.

, and . ISMIR, page 519-524. University of Miami, (2011)

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Music Information Technology and Professional Stakeholder Audiences: Mind the Adoption Gap., , , , , , , and . Multimodal Music Processing, volume 3 of Dagstuhl Follow-Ups, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, (2012)One deep music representation to rule them all? A comparative analysis of different representation learning strategies., , , and . Neural Comput. Appl., 32 (4): 1067-1093 (2020)Novelty-based cognitive processes in unstructured music-making settings in early childhood., , and . ICDL-EPIROB, page 218-223. IEEE, (2018)A dataset of multimedia material about classical music: PHENICX-SMM., , , , and . CBMI, page 1-4. IEEE, (2016)Expressivity in Musical Timing in Relation to Musical Structure and Interpretation: A Cross-Performance, Audio-Based Approach., , and . Semantic Audio, Audio Engineering Society, (2011)Music in newspapers: interdisciplinary opportunities and data-related challenges.. DLfm, page 47-51. ACM, (2018)Hidden Author Bias in Book Recommendation., , , , and . CoRR, (2022)From Water Music to 'Underwater Music': Multimedia Soundtrack Retrieval with Social Mass Media Resources.. TPDL, volume 9819 of Lecture Notes in Computer Science, page 227-238. Springer, (2016)Butter Lyrics Over Hominy Grit: Comparing Audio and Psychology-Based Text Features in MIR Tasks., , , , and . ISMIR, page 861-868. (2020)Microtask Crowdsourcing for Music Score Transcriptions: An Experiment with Error Detection., , , , , and . ISMIR, page 901-907. (2020)