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Gesture-based control of physical modeling sound synthesis: a mapping-by-demonstration approach.

, , and . ACM Multimedia, page 447-448. ACM, (2013)

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Gesture-based control of physical modeling sound synthesis: a mapping-by-demonstration approach., , and . ACM Multimedia, page 447-448. ACM, (2013)CO/DA: Live-Coding Movement-Sound Interactions for Dance Improvisation., , and . CHI, page 482:1-482:13. ACM, (2022)Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions., , and . NIME, nime.org, (2022)Shaping and exploring interactive motion-sound mappings using online clustering techniques., , and . NIME, page 410-415. nime.org, (2017)Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition., , , and . MOCO, page 21:1-21:8. ACM, (2017)Movement sequence analysis using hidden Markov models: a case study in Tai Chi performance., , , and . MOCO, page 29-36. ACM, (2015)Gesture-sound mapping by demonstration in interactive music systems.. ACM Multimedia, page 1051-1054. ACM, (2013)Motion-sound Mapping By Demonstration. (Apprentissage des Relations entre Mouvement et Son par Démonstration).. Pierre and Marie Curie University, Paris, France, (2015)Probabilistic Models for Designing Motion and Sound Relationships., , , and . NIME, page 287-292. nime.org, (2014)Vocalizing dance movement for interactive sonification of laban effort factors., , , and . Conference on Designing Interactive Systems, page 1079-1082. ACM, (2014)