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ROOM#81 - An Architectural Instrument for Exploring Human Control of Primitive Vocal Cues.

, , , and . MuC (Workshopband), page 235-239. Universitätsverlag Chemnitz, (2011)

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Analysis-by-Performance: Gesturally-Controlled Voice Synthesis as an Input for Modelling of Vibrato in Singing., , , and . ICMC, Michigan Publishing, (2011)RAMCESS/handsketch: a multi-representation framework for realtime and expressive singing synthesis., and . INTERSPEECH, page 4011-4012. ISCA, (2007)Reactive accent interpolation through an interactive map application., , , , and . SSW, page 245. ISCA, (2013)Designing speech and language interactions., , , , , , , and . CHI Extended Abstracts, page 75-78. ACM, (2014)MaxMBROLA: A Max/MSP MBROLA-based tool for real-time voice synthesis., , , and . EUSIPCO, page 1-4. IEEE, (2005)A Comparative Study of Pitch Extraction Algorithms on a Large Variety of Singing Sounds., , , , and . CoRR, (2019)Performance: what does a body know?, , , , , , , and . CHI Extended Abstracts, page 2403-2407. ACM, (2011)MAGE -A Platform for Tangible Speech Synthesis., , and . NIME, nime.org, (2012)Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer., , , and . NIME, nime.org, (2012)Airpiano: a multi-touch keyboard with hovering control., , , and . NIME, page 255-258. nime.org, (2015)