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Audio-to-Score Alignment using Transposition-invariant Features., and . ISMIR, page 592-599. (2018)Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines., , , and . MCM, volume 9110 of Lecture Notes in Computer Science, page 323-334. Springer, (2015)SampleMatch: Drum Sample Retrieval by Musical Context.. ISMIR, page 781-788. (2022)Pseudo-Supervised Training Improves Unsupervised Melody Segmentation., , and . IJCAI, page 2459-2465. AAAI Press, (2015)Singer Identity Representation Learning Using Self-Supervised Techniques., , and . ISMIR, page 448-456. (2023)PESTO: Pitch Estimation With Self-Supervised Transposition-Equivariant Objective., , , and . ISMIR, page 535-544. (2023)High-Level Control of Drum Track Generation Using Learned Patterns of Rhythmic Interaction., and . WASPAA, page 35-39. IEEE, (2019)Comparing Representations for Audio Synthesis Using Generative Adversarial Networks., , and . EUSIPCO, page 161-165. IEEE, (2020)Diff-A-Riff: Musical Accompaniment Co-creation via Latent Diffusion Models., , , , and . CoRR, (2024)Stem-JEPA: A Joint-Embedding Predictive Architecture for Musical Stem Compatibility Estimation., , , , and . CoRR, (2024)